La musica dei Carmina Burana

Abulafia 1988 — Adcock 1994 — Adorno 1949 | 1951 | 1956 — Ph. Allen 1909 | 1931 — W. S. Allen 1973 — Anderson 1974 | 1988 — Anglès 1931 | 1935 — Aoyama 2004 — Apel 1958 — Aretin 1807 — Aubrey 1996 — Avalle 1962 | 1963 | 1969 — Azzara 2004 — Azzaroni 1997 — Bachmann 1976 | 1976/a — Bade 1523 — Bader 2017 — Baldi 1941 — Bale 1548 — Baroffio 2003/a | 2004 — Bartoli 1876 — Bastiaensen 1998 — Beatie 1965 — Beghelli 2000 — Bein 2013 — Bellanti 1988 — Beltrami 2011 — Bergeron 1998 — Bernardinello 2019 — Bernt 1974 — Bezzola 1963 — Bianchini 2003 — Bignell 2007 — Binkley 1977 — Birlauf-Bonnet 1984 — Bisanti 2010 | 2011 | 2011/a | 2019 — Bischoff 1967 — Blodgett 1987 — Bobeth 2015 — Bode 1833 — Bodei 2019 — Borghetti 2011 — Borris 1952 — Boswell 1980 — Breuer 1993 — Brévart 1999 — Brewer 1891 — Bridges 2012 — Brunetti 2000 — Brunner 2001 | 2009 — Brusa 2022 — Brusniak 1986 — Burckhardt 1860 — Buys 1600 — Camden 1605 — Capsoni 1788 — Caraci 2005 — Carapezza 2004 — Cardelle 2019 — Cardine 1968 — Cazaux 2020 — Cecchini 1986 — Cerullo 2020 — Champollion 1838 — Chiesa 2017 — Clem 2020 — Clemencic 1968 | 1979 — Cook 1998 — Corbellari 2003 — Corio 1503 — Corradino 1892 — Dainotto 2006 — Damian-Grint 2004 — Dangel-Hofmann 1990 — Daolmi 2015 | 2016 | 2018 | 2019 | 2019/a | 2019/b | 2020/a | 2020/b | 2023 — De Cesare 1951 — De Hamel 2016 — Deeming-Leach 2015 — Delisle 1868 | 1869 | 1871 — Delorme 1927 — Di Carpegna 2011 — Di Girolamo 1989/a — Docen 1807 | 1807/a — Doležalová 2020 — Doney 1952 — Dower 1991 — Dreves 1922 — Dronke 1966 | 1968 | 1976 | 1984 | 1986 | 1987 | 1990 | 1997 | 2005 — Drumbl 1987 | 2003 — Du Bulay 1673 — Du Cange 1678 — Du Closel 2005 — Du Méril 1843 | 1847 — Duby 1976 — Dummer 1946 — Edwards 2000 — Ehrenthal 1891 — Einstein 1949 — Elliot 1981 — K. Ellis 2013 — Evenden 2011 — Everist 2004 | 2018 — Fabian 2001 — Fallows 1995 — Faral 1912 — Fassone 1994 — Feo 1981 — Ferreira 1997 — Fickermann 1928 — Fiore 2004 — Flacius 1548 — Floramo 2018 — Formisano 2012/a — Franklinos 2020 — Freistedt 1929 — Gabrielli 1889 — Galvez 2012 — Gennrich 1932 | 1942 | 1965/a — Gentilucci 1969 — Gerigk 1937 — Giesebrecht 1853 — Giles 1847 — Gillingham 1993 | 2004 — Giuliano 2014 — Godman 2015 | 2016 | 2020 — Goodlad 2007 — Goussainville 1667 — Graves 1953 — Grimm 1843 — Hahn 1726 — Haines 2001/b | 2004 — Handschin 1933 — Harris 2011 — Harrison 1960 — Haskins 1927 — Hauréau 1877 | 1880 — Hausmann 2010 — Heikkinen 2014 — Helm 1955 — Hentzner 1612 — Herkenrath 1930 — Hicks 2012 — Hilarius 1125 — Hiley 1984 | 1993 | 2009 — Histoire — Hope 2014 | 2020 — Huglo 1983 — Husmann 1952 | 1967 — Invernizzi 2011 — Jans 2000 — Jaschinski 2004 — Jeffery 1992 — Jones 2000 — Kantorowicz 1927 | 1946 — Kater 1995 | 2000 — Kiekert 1957 — Kingsford 1890 — Knapp 1998 — Kowalke 2000 | 2000/a — Lachmann 1827 — Lambillotte 1851 — Lammers 1997 | 2020 — Lannutti 2000 | 2017 — Lanza 1980 — Lasocki 1995 — Latella 1991 — Latzke 1976 — Lazzerini 2001 — Lerdahl-Jackendoff 1983 — Lester 1986 — Lewon 2002 — Lipphardt 1941 | 1955 | 1961/a — Lo 2015 — Long 2014 — Lorenz 1924 — Ludwig 1910 — Maccagnolo 1980 — Manitius 1913 | 1927 — Massa 1979 — Maurzi 2012 — McDonough 1984 — Meneghetti 1990 | 1997 — Mercenaro 2018 — Merlin 1519 — Mertin 1978 — Mews 1999 — P. Meyer 1868 | 1872 — W. Meyer 1898 | 1901 | 1907 | 1911 — Meyer-Yri 2020 — Meylan 1927 — MGH — Migne 1855 — Mila 1942 | 1946 — Milde 1971 — Milner 1955 — Miramon 2005 — Mocquereau 1891 — Molinari 1994 — Molino 2005 — Montenz 2012 — Moya 1991 — Müller 1980 | 2007 — Müller-Freienfels 1936 | 1946 | 1947 — Muratori 1742 | 1751 — Nattiez 2002 | 2005 — Nguyen 2017 — Norberg 1958 | 1985 — Notices — Orff 1963 | 1983 — Oulmont 1911 — Page 1980 — Payne 1986 | 1991 | 2001 | 2011 — Peiper 1869 | 1878 — Peraino 1995 — Peron 2015 — Persico 2017/a — Petrone 2015 — Pez 1721 — Planchart 1991 — Poole 1902 — Quaracchi 1902 — Reumont 1849 — Rico 1977 | 1980 — Ridder-Symoens 1992 — Riemann 1884 | 1900 | 1903 — Rigg 1977 — Rillon-Marne 2008 | 2012 | 2012/a — Ross 2007 — P. Rossi 1989 — Russom 1998 — Ruuth 1582 — Sachs 1933 — Salimbene 1280 — Saviotti 2016 — Sayce 1992 — Scharler 2019 — Schilling 2011 — Schmeller 1847 — Schmidt 1974 — Schmitt 1905 — Schulze 1989 — Schum 1887 — Schumann 1970 — Seebohm 1995 — Sherman 1997 — Sievert 1944 — Smiraglia 1966 — Smither 1960 — Smolak 1987 — Southern 1992 — Spanke 1933 | 1943 — Spazio 2006 — Spreckelmeyer 1974 — Steer 1983 — Steinen 1948 — Stella 2007 | 2012 — D. Stevens 1966 — Stevens 1986 — Straccali 1880 — Strange 1851 — Stravinsky 1935 | 1959 — Strecker 1924 | 1927 | 1929 — Strunk 1977 — Stuckenschmidt 1951 — Sulowski 1976 — Suso 1330 — Taruskin 2005 | 2008 — Thomas 1992 — Thorndike 1941 — Thurot 1870 — Thurston 1980 — Tischler 1978 | 1982 | 1985 — Trafford 2020 — Traill 1988 | 2001 | 2003 | 2005 | 2006 | 2006/a | 2013 | 2018 | 2018/a | 2018/b — Trithemius 1494 — Troyer 2020 — Tuzzo 2015 — Upton 2019 — Vecce 2010 — Vecchi 1952 — Verger 1997 — Vertova 1952 — Vinay 1949 — Visser 2005 — Vollmann 1987 — Waddell 1927 — Wakefield 1998 — Walsh 1983 | 1993 — Watenphul 1958 — Wentzlaff-Eggebert 1960 — Wetherbee 2017 — Wicki 1963 | 1985 — Wiesli 1966 — F. Wolf 1841 — É. Wolff 1995 | 1998 — J. Wolff 1600 — Wollin 1998 | 2007 | 2009 — Wörner 1953 — C. Wright 1986 — Th. Wright 1841 — Wulstan 2002 | 2003 — Young 1933 — Yri 2006 | 2010 | 2018 | 2019 | 2020 — Zanetti 1990 — Zinelli 2010 — Ziolkowski 2007

	Histoire Histoire littéraire de la France — 15 vols [to 12th c.] (Paris 1733-1824) — [repr.] vols 1-16 (Paris 1865-1892) — 16-23: [13th c.] (Paris 1832-1856) — 24-43 [14th c.] (Paris 1862-2005) — Index vols 1-15 (Paris 1875) — Index vols 16-41 (Paris 2008)
	MGH Monumenta Germaniae Historica (1826–) — Scriptores — Leges — Diplomata — Epistolae — Antiquitates — [altre serie] Gli MGH nacquero per iniziativa della “Gesellschaft für Deutschlands ältere Geschichtskunde \| Societas aperiendis fontibus rerum Germanicarum mediiaevi”, fondata nel 1819 da K. von Stein. G. H. Pertz diresse i lavori dell’opera dal 1823 al 1874, poi dal 1875 sotto l’egida dello Stato (con i maggiori medievisti tedeschi: Waitz, Wattenbach, Kehr, Baethjen, Grundmann). Alla Società si affianca la rivista: Archiv der Gesellschaft für Ältere Deutsche Geschichtkunde (1820-1874) 12 vols Neues Archiv ... (1876-1935) 50 vols Deutsches Archiv für Geschichte des Mittelalters (1937-1944) 7 vols Deutsches Archiv für Erforschung des Mittelalters (dal 1951)
	Notices Notices et extraits des manuscrits de la Bibliothèque du Roi, ed. Académie royale des inscriptions et belles-lettres, 43 vols + 1 (1787-1965 + 1972) — Bibl. du Roi: 1 (1787) \| 4 (an vii [1798-99]) — Nationale: 5 (an vii [1798-99]) \| 7 (an xii [1803-04]) — Impériale: 8 (1810) \| 9 (1813) — Bibl. du Roi: 10 (1818) \| 11 (1827) — Nationale: 12 (1831) \| 18/1 (1858) — Impériale: 19/1 (1862) \| 19/2 (1858) \| 18/2 (1865) \| 21/2 (1865) — Nationale: 22/1 (1874) \| 27 (1879) \| 28/2 (1878) \| 29/2 (1880) \| 43 (1965) — Les formulaires de grande chancellerie 1500-1580: 44 (1972) Per le date di ogni singolo vol. cfr la scheda Sbn
1120
	Hilarius 1125 Versus et ludi [ca 1125] [ms.] Paris, Bibl. Nat., Latin 11331 ed. Jacques-Joseph Champollion-Figeac (Lutetiae Parisiorum: apud Techener, 1838). — ed. John Bernard Fuller (New York: Holt, 1929). — Nikolaus Martin Häring, “Die Gedichte und Mysterienspiele des Hilarius von Orléans”, Studi medievali, 17 (1976): 915-968. — ed. Walther Bulst, M. L. Bulst-Thiele [in appendice osservazioni sulla musica del Ludus Danielis di Mathias Bielitz] (Leiden: Brill, 1989).
1280
	Salimbene 1280 Salimbene de Adam, Cronica [1168-1287] – ms. unicum: I-Rvat 7260 [editio princeps (years 1212-87)] Chronica Fr. Salimbene Parmensis Ordinis Minorum ex codice Bibliothecae Vaticanae nunc primum edita, Parmae: Fiaccadori, 1857 (Monumenta historica ad provincias Parmensem et Placentinam pertinentia, 3.1). 1 \| 2 — [It. trans. (from 1857 ed.)] Cronaca di Fra Salimbene Parmigiano dell’ordine dei Minori, ed. Carlo Cantarelli, 2 vols (Parma: Luigi Battei, 1882) — other It. trans. (from 1926). Critical editions: in Monumenta Germaniae, Scriptores xxxii (1906). \| \| ed. Ferdinando Bernini, 2 vols (Bari: Laterza, 1942) \| \| ed. Giuseppe Scalia, 2 vols (Bari: Laterza, 1966; Turnout: Brepols, 1998-99); trad. di Bernardo Rossi (Bologna 1987); ed. + trad. (Parma 2007). — ed. Claudia Sebastiana Nobili + trad. (Roma: Istituto poligrafico e Zecca dello Stato, 2002).
1330
	Suso 1330 Enrico Suso [Heinrich Seuse], Horologium aeternae sapientiae [ms. 1330] Cologne: Conrad Winters de Homborch, ca 1480. — Paris: Pasquier Bonhomme, ca 1480. — Delft: Jacob Jacobszoon van der Meer, 1485. — Alost: Thierry Martens, ca 1490. — Venetiis: per Petrum de Querengiis de Palazago, 1492. — Paris: Antoine Vérard, 1493, 2/1499. Cologne: Johann Landen, 1496, 2/1501. — Colonie: Praedicatores, 1509. — Parisiis: Joh. Petit, 1511. Coloniae: Rüdiger, 1724 \| (alter) — Groningen: J. B. Wolters’ U. M., 1926.
1490
	Trithemius 1494 Iohannes Trithemius, Liber de scriptoribus ecclesiasticis (Basileae: Johann Amerbach, 1494).
1500
	Corio 1503 Bernardino Corio, Historia continente da l’origine di Milano, tutti li gesti fatti e detti preclari, e le cose memorande milanesi, in fino al tempo di esso autore, con somma fede in idioma italico: Composta con il Repertorio prontissimo ... e publicato con somma cura e studio de fratelli da Legnano ... Milano: Giovanni Giacomo e fratelli Da Legnano; apud Alexandrum Minutianum, 1503 L’historia di Milano volgarmente scritta ... Con le vite insieme di tutti gli Imperatori, incominciando da Giulio Cesare, fino a Federico Barbarossa, scritte dal medesimo (Vinegia: per Giovan Maria Bonelli, 1554). “di nuouo tutta riformata con le postille in margine et con la tavola” (Vinetia: presso Giorgio de’ Caualli, 1565). Padoa: nella stamperia di Paolo Frambotto, 1646. — [repr. 1554] Torino: Unione tipografico-editrice torinese, 1978
1510
	Merlin 1519 Petri Blesensis ... Insignia opera in vnum volumen collecta & emendata, ed. Jacques Merlin (Parisiis: magistri Andree Boucard calcographi, 1519).
1520
	Bade 1523 Philippi De Greve ... In Psalterium Davidicum cccxxx sermones, ed. Josse Bade (Paris: Iodoci Badii, 1523).
1540
	Bale 1548 John Bale, Illustrium maioris Britanniae scriptorum, hoc est Angliae, Cambriae ac Scotiae summarium, in quasdam centurias divisum, cum diversitate doctrinarum atque annorum recta supputatione per omnes aetates a Iapheto sanctissimi Noah filio, ad annum domini. m.d.xlviii Gippsewici [Ipswick]: per Ioannem Overton [recte: Wesel: Derick van der Straten], 1548. \| [2nd ed.] Scriptorum illustrium maioris Brytannie quam nunc Angliam & Scotiam vocant Catalogus: A Iapheto per 3618 annos, usque ad annum hunc Domini 1557: Ex Beroso, Gennadio, Beda, Honorio, Bostono Buriensi, Frumentario, Capgrauo, Bostio, Burello, Trissa, Tritemio, Gesnero, Ioanne Lelando, atque aliis authoriubus collectus & ix centurias continens, 2 vols (Basileae: apud Ioannem Oporinum, 1557-1559). [Eebo] — [repr. 1559] 2 vols (Farnborough: Gregg international, 1971). Il quadernetto di lavoro di Bale, noto come Index Britanniae scriptores (autografo in Bodleian, Selden sup. 64) fu pubblicato in Poole 1902 e di nuovo (con nuova introduzione nel 1990.
	Flacius 1548 Matthias Flacius Illyricus, Carmina vetusta ante tre centos annos scripta ... quae deplorant inscitiam Evangelii & taxant abusus ceremoniarum ac quae ostendunt doctrinas huius temporis non esse novam: fulsit enim semper & fulgebit in aliquibus vera ecclesiae doctrina (Vitebergae [Wittenberg]: Ex officina literaria Georgii Rhavi, 1548). [enlarg. ed.] Pia quaedam vetustissimaque poemata, partim Antichristum ejusque spirituales filiolos insectantia, partim etiam Christum, ejusque beneficium miraspiritus alacritate celebrantia (Magdeburgae: per Michaelem Lottherum, 1552). [2nd enlarg. ed.] Varia doctorum piorumque virorum, de corrupto ecclesiae statu, poemata, ante nostram aetatem conscripta: ex quibus multa historica quoque utiliter, ac summa cum voluptate cognosci possunt (Basileae: Per Ludovicum Lucium, 1557). [mod. repr. 1557] Augusta Vindelica [Frankfurt], 1754 \| (alter)
1580
	Ruuth 1582 Piae cantiones ecclesiasticae et scholasticae veterum episcoporum, in inclyto regno Sveciae passim usurpatæ, nuper studio viri cuiusdam reverendiss. de ecclesia Dei & schola Aboënsi in Finlandia, ed. Didrik Persson Ruuth — Greifswald: Augustin Ferber, 1582. — [repr.] Helsinki: Fazer, 1967.
1600
	Buys 1600 Opera Petri Blesensis, Bathoniensis quondam in Anglia archidiaconi, et apud Cantuariensem archiepiscopum cancellarii, ed. Jan Buys (Moguntiæ: ex officina typographica Ioannis Albini, 1600).
	J. Wolff 1600 Johann Wolff, Lectionum memorabilium et reconditarum, 2 vols \| \| Lauingae: Leonhardus Rheinmichel, 1600 \| (alter) — [repr.] Lauingae: Iacobus Winter, 1608. [2nd ed.] Francofurti ad Moenum: H. Gros, 1671-1672.
	Camden 1605 William Camden, Remaines of a greater work, concerning Britaine, the inhabitants thereof, their languages, names, surnames, empreses, wise speeches, poësies, and epitaphs London: Printed by George Eld for Simon Waterson, 1605. — [ii ed.] London: J. Legatt for S. Waterson, 1614. — [iii ed.] London: Nicholas Okes, 1623. [iv ed.] London: Printed by Adam Islip for Symon Waterson, 1629. [5th ed.] “The fift impression, with many rare antiquities never before imprinted, by the industry and care of John Philipot” (London: Thomas Harper for John Waterson, 1636) \| (1637) — [6th ed.] London: Printed by Thomas Warren, for Isabella Waterson, 1657. — [7th ed.] Remains concerning Britain ... (London: Charles Harper and John Amery, 1674). [eebo] [repr.] London: J.R. Smith, 1870. — [repr. 1870] Hildesheim: Olms, 1970. — [mod. ed.] by Robert D. Dunn (Toronto: Univ. of Toronto Press, 1984). — [mod. ed.] by Peter M. Daly, Leslie T. Duer, Mary V. Silcox (Toronto: Univ. of Toronto Press, 1998).
1610
	Hentzner 1612 Paul Hentzner, Itinerarium Germaniae, Galliae, Angliae, Italiae ... Cum indice locorum, rerum atque verborum memorabilium Noribergae: typis Abrahami Wagenmanni, 1612 \| (alter) — Breslae: haeredes Eyringii & Perfectum, 1617. [Engl. trans. (only ‘Angliae’)] Travels in Egland (London: Jeffery, 1979).
1660
	Goussainville 1667 Petri Blesensis Bathoniensis ... Opera omnia ad fidem manuscriptorum codicum emendata, notis & varijs monumentis illustrata, ed. Pierre Goussainville (Parisiis : ex typographia Francisci Le Cointe, 1667).
1670
	Du Bulay 1673 César Egasse Du Boulay, Historia Universitatis Parisiensis, 6 vols 1 \| 2 \| 3 \| 4 \| 5 \| 6 \| Parisiis: apud Franciscum Noël, [poi] apud P. De Bresche et J. De Laize-De-Bresche, 1665-1673. — [repr.] Frankfurt a. M.: Minerva, 1966.
	Du Cange 1678 Charles du Fresne sieur Du Cange, Glossarium ad scriptores mediae et infimae Latinitatis — editions: in Trovatore amante spia, pp. 224 — [1st ed.] 1 \| 2 \| 3 modern digital edition
1720
	Pez 1721 Bernard Pez, Thesaurus anecdotorum novissimus seu veterum monumentorum, praecipue ecclesiasticorum, ex Germanicis potissimum bibliothecis adornata collectio recentissima, 12 t. in 5 vols (Augustae Vindelicorum & Graecii, 1721-1728) 1 \| 2 \| 3 \| 4 \| 5 Il quinto vol. reca il titolo: Magni Gerhohi ... Commentarius aureus in psalmos et cantica ferialia ... Accesserunt, ubi ille deficit, supplementa necessaria ex nondum editio in eosdem psalmos commentario viri ... Honorii Augostodensis ... Prodeunt nunc omnia primum tum junctim cum reliquis Thesauri Anecdotorum novissimi tomi, quorum hinc quintus est [Del grande Gerhoh ... commento aureo ai salmi e agli inni... con aggiunti i necessari supplementi, dove manca, dall’edizione non ancora pubblicata del commento agli stessi salmi da parte di... Onorio Augustodense ... Tutto esce per la prima volta e insieme al resto degli ultimi volumi del Thesaurus anecdotorum di cui questo è il quinto]
	Hahn 1726 \| \| Simon Friedrich Hahn, Collectio monumentorum, veterum et recentium, ineditorum, ad codicum fidem restitutorum, selectiorum, et rariorum, diplomatum nempe, sigillorum, litterarum, chronicorum, aliorumque insignium scriptorum, antiquitates ..., 2 vols (Brunsvigae: ex Officina Frid. Wilh. Meyeri, 1724-1726).
1740
	Muratori 1742 Lodovico Antonio Muratori, Antiquitates italicae medii aevi, sive Dissertationes de moribus, ritibus, religione, regimine, magistratibus, legibus, studiis literarum, artibus, lingua, militia, nummis, principibus, libertate, servitute, foederibus, aliisque faciem & mores Italici populi referentibus post declinationem Rom. Imp. ad annum usque 1500 info + links — 6 vols (Mediolani: ex typographia Societatis Palatinae in regia curia, 1738-1742). — [new ed.] 17 vols (Arretii: typis Michælis Bellotti impress. episcop. sub signo Petrarcæ, 1773-1780). — [It. abr. ed] Dissertazioni sopra le antichita’ italiane, 6 vols (Roma: a spese di Mario Nicoli, 1790). — [indexes] Indices chronologici, 1 vol. in fasc. (Augustae Taurinorum: e Regio typographeo apud Frates Bocca, 1889-1896). — [extr.] De spectaculis et ludis publicis. Dissertatio xxix, ed. Antonio Viscardi (Modena: Aedes muratoriana, 1962). — [repr. 1742] 6 vols (Bologna: Forni, 1965). — [repr. ind.] Torino: Bottega d’Erasmo, 1967. — [extr.] Dell’origine della lingua italiana: dissertazione xxxii, ed. Claudio Marazzini (Alessandria: Edizioni dell’Orso, 1988).
1750
	Muratori 1751 Antonio Ludovico Moratori, Rerum Italicarum scriptores — I serie: 25 vols (Mediolani 1723-1751). — II serie: 34 vols (Città di Castello 1900-1917; Bologna 1917-1975) — III serie: 10 vols (Roma 1999-2012)
1780
	Capsoni 1788 \| \| \| Siro Severino Capsoni, Memorie istoriche della regia città di Pavia e suo territorio antico e moderno, 3 vols (In Pavia: nella stamperìa del r. i. monistero di S. Salvatore, 1782-1788).
1800
	Aretin 1807 Johann Christoph [Freiherr von] Aretin, Beyträge zur Geschichte und Literatur, vorzüglich aus den schätzen der pfalzbaierschen Centralbibliothek zu München, 9 vols (München, In Kommission der Schererschen Kunst- und Buchhandlung, 1803-1807) Il I vol. raccoglie 6 fascicoli con numerazione che ricomincia: (i) \| (ii) \| (iii) \| (iv) \| (v) \| (vi)
	Docen 1807 Bernard Joseph Docen, “Lateinische Minnelieder del Mittelalters, nebst dem vollständigen Text des ‘Mihi est propositum’”, Beyträge zur Geschichte und Literatur, ed. Johann Ch. von Aretin, ix (1807): 1304-1322 \| (alter)
	Docen 1807/a \| \| Bernhard Joseph Docen, Miscellaneen zur Geschichte der teutschen Literatur, neu-aufgefundene Denkmäler der Sprachen, Poesie und Philosophie unsrer Vorfahren enthaltend, 2 vols (München: E. A. Fleischmann, 1807; ²1809).
1820
	Lachmann 1827 Karl Lachmann, Die Gedichte Walthers von der Vogelweide Berlin: G. Reimer, 1827 \| ²1843 — ed. Moritz Haupt (ibidem, ³1853, ⁴1864). ed. Carl Carl Müllenhoff (Berlin: G. Reimer, ⁵1875 \| ⁶1891). ed. Carl von Kraus (Berlin: De Gruyter, ⁷1907, ⁸1923, ⁹1930). — “mit Bezeichnung der Abweichungen von Lachmann und mit seinen Anmerkungen”, ed. Kraus (ibidem, ¹⁰1936, ¹¹1950, ¹²1959). — ed. Hugo Kuhn (ibidem, ¹³1965). — ed. Christoph Cormeau (ibidem, ¹⁴1996). ed. Thomas Bein (ibidem, ¹⁵2013).
1830
	Bode 1833 Georg Heinrich Bode, [comunicazione del 10 gennaio 1833], Göttingische Gelehrte Anzeigen, 1 (1833): 89-91.
	Champollion 1838 Hilarius, Versus et ludi [ms. ca 1125 (Paris, Bibl. Nat., Latin 11331)], ed. Jacques-Joseph Champollion-Figeac (Lutetiae Parisiorum: apud Techener, 1838).
1840
	F. Wolf 1841 Ferdinand Wolf, Über die Lais, Sequenzen und Leiche: Ein Beitrag zur Geschichte der rhythmischen Formen und Singweisen der Volkslieder und der volksmässigen Kirchen- und Kunstlieder im Mittelalter Heidelberg: Akademische Verlagsbuchhandlung von C. F. Winter, 1841 \| alter — [repr.] Osnabruck : Otto Zeller Verlag, 1965.
	Th. Wright 1841 The Latin poems commonly attributed to Walter Mapes, ed. Thomas Wright London: Camden Society, 1841. — [repr.] Hildesheim: Olms, 1968.
	Du Méril 1843 Édélestand Pontas Du Méril, Poésies populaires latines antérieures au douzième siècle Paris: Brockhaus et Avenarius, 1843. — [rist.] Bologna: Forni, stampa 1969.
	Grimm 1843 Jacob Grimm, “Gedichte des mittelalters auf könig Friedrich I. den Staufer und aus seiner so wie der nächstfolgender zeit”, Philologische und historische Abhandlungen der Königlichen Akademie der Wissenschaften in Berlin: 1843 (Berlin 1845): 143-256. — [repr.] in Jacob Grimm, Kleinere Schriften, ed. Gustav Hinrichs, 8 vols (Berlin: Dümmler; poi Gütersloh: Bertelsmann 1864-1890), ii (1865).
	Du Méril 1847 Édélestand Pontas Du Méril, Poésies populaires latines du moyen âge Paris: Firmin Didot, 1847. — [rist.] Geneve: Slatkine, 1977.
	Giles 1847 Petri Blesensis Bathoniensis Archidiaconi Opera omnia, ed. John Allen Giles (Londini, Oxonii, 1847).
	Schmeller 1847 Carmina burana: lateinische und deutsche Lieder und Gedichte einer Handschrift des xiii jahrhunderts aus Benedictbeuern auf der Bibliothek zu Munchen, ed. Johann Andreas Schmeller Sections: Seria (pp. 1-112) \| Amatoria (pp. 115-231) \| Potatoria, lusoria (pp. 232-254) Stuttgard: Rossen des literarischen Vereins, 1847. [2nd ed.] Breslau: Koebenr, 1883. [3rd ed.] Ibidem, 1894. [4th ed.] Breslau: M. & H. Marcus, 1904. — [repr. 1904] Leipzig: Karl W. Hiersemann, 1938. — [repr. 1847] Amsterdam: Rodopi, 1966.
	Reumont 1849 Alfredo Reumont, “Di alcuni lavori spettanti alla storia d’Italia ultimamente pubblicati in Germania”, Archivio storico italiano. Appendice, ii/10 (1845): 127-156 \| 549-573 \| iv/17 (1847): 69-98 \| vii/23 (1849): 507-524
1850
	Lambillotte 1851 Louis Lambillotte, Antiphonaire de Saint Grégoire: Facsimile du manuscrit de SaintGall (VIIIe siècle): Accompagné: 1. D’une notice historique, 2. D’une dissertation donnant la clef du chant grégorien, 3. De divers monuments, tableaux neumatiques inédits Paris: Vve Poussielgue-Rusand, 1851. — Bruxelles : C.-J.-A. Greuse, 1851 \| ²1867 \| ³1872.
	Strange 1851 \| \| Caesarii Heisterbacensis monachi ordinis Cisterciensis Dialogus miraculorum, ed. Joseph Strange, 2 vols (Coloniae: J. M. Heberl, 1851).
	Giesebrecht 1853 W. Giesebrecht, “Die Vaganten oder Goliarden und ihre Lieder”, Allgemeine Monatsschrift für Wissenschaft und Literatur, 1853: 10-43 \| 344-381.
	Migne 1855 Patrologia latina cursus completus, ed. Jacques-Paul Migne, 221 vols (Parisiis: Garnier, 1844-1855). — i (1-73), 1844-1849. — ii (74-217), 1849-1855. — indexes (218-221), 1862-1866. links by patristica.net \| links by Rod Letchford \| links by DCO \| links by Francis Turretin
1860
	Burckhardt 1860 Jacob Burckhardt, Die Cultur der Renaissance in Italien: Ein Versuch Basel: Schweighauser’schen Verlagsbuchhandlung, 1860 Leipzig: Seemann, ²1869, ³1878, ⁴1885, ⁵1896... Berlin: Deutsche Buch-Gemeinschaft, 1936... [It. trans.] La civiltà del [secolo del] Rinascimento in Italia (Firenze: Sansoni, 1876...) — [Engl. trans.] The civilization of the Renaissance in Italy: an essay (Oxford: Phaidon Press, 1944...)
	Delisle 1868 Léopold Delisle, “Notes sur quelques manuscrits de la Bibliothèque de Tours”, Bibliothèque de l’École des chartes, 6/4 (1868): 596-611.
	P. Meyer 1868 Paul Meyer, “Rapport sur une mission littéraire en Engleterre”, Archives des missions scientifiques et littéraires [Première rapport] ser. ii/3 (1866): 247-328. Deuxieme rapport, ser. ii/4 (1867): 115-167. Troisème rapport, ser. ii/5 (1868): 139-272. [repr. Première rapport as] Documents manuscrits de l’ancienne littérature de la France conservés dans les bibliothèques de la Grande-Bretagne. Première partie (Paris: Imprimerie Nationale, 1871).
	Delisle 1869 Léopold Delisle, “Les Écoles d’Orléans, au douzième et au treizième siècle”, Annuaire-Bulletin de la Société de l’histoire de France, 7 (1869): 139-148.
	Peiper 1869 Rudolf Peiper, Walter von Chatillon (Breslau: Jungfer, 1869).
1870
	Thurot 1870 Charles Thurot, [review to Peiper 1869], Revue critique d’histoire et de littérature, 5/8 (1870): 121-124.
	Delisle 1871 Léopold Delisle, “Le poète Primat”, Bibliothèque de l’École des chartes, 31/1870 (1871): 303-311.
	P. Meyer 1872 Paul Meyer, “Henri d’Andeli et le Chancelier Philippe”, Romania, 1 (1872): 190-215.
	Bartoli 1876 Adolfo Bartoli, I precursori del Rinascimento (Firenze: Sansoni, 1876).
	Hauréau 1877 Barthélemy Hauréau, Notice sur les œuvres authentiques ou supposées de Jean de Garlande Paris: Imprimerie Nationale, 1877. [repr.] in Notices, 27 (1879): 1-86.
	Peiper 1878 Rudolph Peiper, “Zur Geschichte der mittellateinischen Dichtung”, Archiv fur Litteraturgeschichte, 7 (1878): 409-433.
1880
	Hauréau 1880 Barthélemy Hauréau, “Notices sur un manuscrit dela reine de la reine Christine à la Bibliothèque du Vatican”, in Notices [1880], 29/2: 231-362.
	Straccali 1880 Alfredo Straccali, I goliardi, ovvero I clerici vagantes delle universitá medievali: Saggio (Firenze: Tipografia editrice della Gazzetta d’Italia, 1880).
	Riemann 1884 Hugo Riemann, Musikalische dynamik und Agogik: Lehrbuch der musikalischen Phrasirung auf Grund einer Revision der Lehre von der musikalischen Metrik und Rhythmik (Hamburg: Rahter, 1884).
	Schum 1887 Beschreibendes Verzeichniss der Amplonianischen Handschriften-Sammlung zu Erfurt, ed. Wilhelm Schum (Berlin: Weidmannsche Buchhandlung, 1887) \| (alter)
	Gabrielli 1889 Annibale Gabrielli, Su la poesia dei goliardi (Città di Castello: S. Lapi, 1889).
1890
	Kingsford 1890 Charles Lethbridge Kingsford, “Some Political Poems of the Twelfth Century”, The English Historical Review, 5, n. 18 (1890): 311-326. [Jstor]
	Brewer 1891 Giraldi Cambrensis Opera, 8 vols, ed. J. S. Brewer (1-4), J. F. Dimock, (5-7), G. F. Warner, (8) — London: Longman & Co., 1861-91 (Rerum Britannicarum Medii aevi scriptores, 21) \| 1 \| 4 \| 8 — [repr.] Millwood: Kraus reprint, 1964-1966.
	Ehrenthal 1891 Ludwig Ehrenthal, “Studien zu den Liedern der Vaganten”, in Königliches Gymnasium in Bromberg ... öffentlichen Prüfung (Bromberg: G. Böhlke, 1891).
	Mocquereau 1891 André Mocquereau, “Neumes-accents liquescents ou semi-vocaux”, in Paléographie musicale, II ((Solesmes: Abbaye de Solesmes, 1891): 37-86.
	Corradino 1892 I canti dei goliardi o studenti vaganti nel Medioevo: versione poetica e studio storico, ed. [+ It. trans. (selection)] Corrado Corradino Torino: Roux, 1892 — [repr.] ed. Francesco Picco (Milano: Mondadori, 1928). [myLib]
	W. Meyer 1898 Wilhelm Meyer, “Der Ursprung des Motetts: Vorläufige Bemerkungen” Nachrichten von der königliche Gesellschaft der Wissenschaften zu Göttingen: Philologisch-historische Klasse, 5/2 (1898): 113-145. [repr.] W. Meyer 1905: ii, 303-341.
1900
	Riemann 1900 Hugo Riemann, “Die Rhythmik der geistlichen und weltlichen Lieder des Mittelalters”, Musikalisches Wochenblatt, 31 (1900): 285-286, 309-310, 321-322, 333-334, 345-347, 429-430, 441-442.
	W. Meyer 1901 Wilhelm Meyer, Fragmenta Burana (Berlin: Weidmannsche Buchhandlung, 1901).
	Poole 1902 John Bale, Index Britanniae scriptorum: quos ex variis bibliothecis ..., ed. Reginald Lane Poole, Mary Bateson (Oxford: Clarendon Press, 1902) \| (alter)
	Quaracchi 1902 Bonaventura da Bagnorea, Opera omnia ... edita studio et cura pp. collegii a s. Bonaventura ad plurimos codice mss. emendata anecdotis aucta prolegomenis scholiis notisque illustrata, 11 vols (Ad Claras Aquas [Quaracchi] prope Florentiam: ex typographia Collegii s. Bonaventurae, 1882-1902).
	Riemann 1903 Hugo Riemann, System der musikalischen Rhythmik und Metrik Leipzig: Breitkopf & Härtel, 1903. — [repr.] Vaduz: Sandig Reprint, 1985.
	Schmitt 1905 John Schmitt, “Sul verso ‘de arte mayor”, Atti lincei. Rendiconti. Scienze morali, ser. v, 14 (1905): 109-133.
	W. Meyer 1907 Wilhelm Meyer, “Die Oxforder Gedichte des Primas, Magister Hugo von Orleans”, Nachrichten von der Königlichen gesellschaft der wissenschaften zu Göttingen. Philologisch-historische Klasse, 1907 pp. 75-111 (nn. 16-22) \| 112-175 (nn. 1-9, 11-15, 23) \| pp. 231-234 (n. 10).
	Ph. Allen 1909 Philip Schuyler Allen, “Mediaeval latin Lyrics” — Modern philology, 5 (1907-1908): 423-456 (i: 1-54) \| 6 (1908-1909): 3-43 (ii: 55-95) \| 137-180 (iii: 97-140) \| 385-406 (iv: 141-162).
1910
	Ludwig 1910 Friedrich Ludwig, Repertorium organorum recentioris et motetorum vetustissimi stili [Ia] Catalogue raisonné der Quellen. Abt. 1 \| Handschriften in Quadrat-Notation [pp. 1-344] — Halle: M. Niemeyer, 1910. — New York: The Institute of Mediaeval music / Hildesheim: Olms, 1964 (a cura di Luther A. Dittmer). [Ib] Catalogue raisonné der Quellen. Abt. 2 \| Handschriften in Mensural-Notation [pp. 346-783] — Langen bei Frankfurt: Fr. Gennrich, 1961 (Summa musicae Medii Aevi, 7. — New York: The Institute of Mediaeval music, 1978 (Musicological studies, 26). [II] Catalogue raisonné der Quellen. Ein Vollstandiges musikalisches Anfangs-Verzeichnis... [71 cc. / 155 pp.] — Langen bei Frankfurt: Fr. Gennrich, 1962 (Summa musicae Medii Aevi, 8). — New York: The Institute of Mediaeval music / Hildesheim: Olms, 1972 (a cura di Luther A. Dittmer).
	W. Meyer 1911 Wilhelm Meyer, “zwei mittellateinische Lieder in Florenz”, in Studi letterari e linguistici dedicati a Pio Rajna (Milano: Hoepli, 1911): 149-166.
	Oulmont 1911 Charles Oulmont, Les debats du clerc et du chevalier dans la litterature poetique du Moyen-Age: étude historique et litteraire suivie de l’edition critique des textes Paris: Champion, 1911. — [repr.] Geneve: Slatkine reprints, 1974
	Faral 1912 Edmond Faral, “Les débats du clerc et du chevalier dans la littérature des xiie et xiiie siècle”, Romania, 41, n. 164 (1912): 473-517
	Manitius 1913 Max Manitius, Die gedichte des archipoeta (München: Callwey, 1913, 2/1929).
1920
	Dreves 1922 Analecta Hymnica Medii Aevi, ed. by G. M. Dreves, C. Blume, H. M. Bannister, 55 vols (Leipzig: s.e., 1886-1922). Index \| IA 9. Sequentiae ineditae I (1899) \| 10. II (1890) \| 11. III (1890) 15. Pia dictamina: I (1893) 20-21. Cantiones et muteti (1895) 29-30. Pia dictamina: II-III (1898) \| 31-32. IV-V (1898-99) \| 33. VI (1899) 34. Sequentiae ineditae IV (1899) \| 37. V (1901) \| 39-40. VI-VII (1902) \| 42. VIII (1903) \| 44. IX (1904)
	Lorenz 1924 Alfred Ottokar Lorenz, Das geheimnis der form bei Richard Wagner — Berlin: M. Hesse, 1924. — Tutzing: H. Schneider, 1966
	Strecker 1924 Karl Strecker, “Walter von Chatillon der dichter der lieder von St. Omer”, Zeitschrift für deutsches Altertum und deutsche Literatur, 61/4 (1924): 197-222. [Jstor]
	Delorme 1927 Ferdinand Marie Delorme, “Un prose inedite sur s. François”, La France Franciscaine, 10 (1927): 201-203.
	Haskins 1927 Charles Homer Haskins, The renaissance of the twelfth century — Cambridge: University Press, 1927. — [It. trans.] Il Rinascimento del xii secolo (Roma: Castelvecchi, 2015).
	Kantorowicz 1927 Ernst H. Kantorowicz, Kaiser Friedrich der Zweite — Berlin: Bondi, 1927. — [It. trans.] Federico II imperatore (Milano: Garzanti 1988, 2/2017). [myLib]
	Manitius 1927 Vagantenlieder aus der lateinischen Dichtung des 12. und 13. Jahrhunderts, Carmina burana, ed. Robert Ulrich, Max Manitius (Jena: Diederichs, 1927).
	Meylan 1927 Henri Meylan, [abstract of Les ‘Questions’ de Philippe le Chancelier, chancelier de Paris (”Tractatus de bono nature et de bono in genere”), avec une introduction sur la vie et les œuvres théologiques de l’auteur], in Positions des thèses soutenues par les élèves de la promotion de 1927 pour obtenir le diplôme d’archiviste paléographe (Paris: Les Presses Universitaires de France, 1927): 89-94.
	Strecker 1927 Karl Strecker, “Walter von Chatillon und seine schule”, Zeitschrift für deutsches Altertum und deutsche Literatur, 64 (1927) 1-2: 97-125 \| 3: 161-189
	Waddell 1927 Helen Waddell, The wandering scholars (London: Constable, 1927).
	Fickermann 1928 Norbert Fickermann, “Philipp de Grève, der Dichter des Dic Christi veritas”, Neophilologus, 13 (1928): 71.
	Freistedt 1929 Heinrich Freistedt, Die Liqueszierenden noten des Gregorianischen Chorals: ein Beitrag zur Notationskunde (Freiburg: Paulusdruckerei, 1929).
	Strecker 1929 Die Gedichte Walters von Chatillon, ed. Karl Strecker, 2 vols — 1. Die Lieder Walters von Chatillon in der Handschrift 351 von St. Omer (Berlin: Weidmann, 1925). — [2.] Moralisch-satirische Gedichte Walters von Chatillon: Aus deutschen, englischen, franzosischen und italienischen Handschriften (Heidelberg: C. Winter, 1929).
1930
	Herkenrath 1930 Emil Herkenrath, “Tempus instat floridus”, Neophilologus, 15 (1930): 135-140.
	Ph. Allen 1931 Philip Schuyler Allen, Medieval latin lyrics (Chicago: The University of Chicago press, 1931). [myLib]
	Anglès 1931 Higinio Anglès Pamies [Higini Anglès i Pàmies], El codex musical de Las Huelgas: Música a veus dels segles xiii-xiv, 3 vols. — Barcelona: Institut d’estudis catalans, 1931 \| 1. Introducció \| 2. Facsímil \| 3. Transcripció — [repr.] New York: AMS Press, 1977
	Gennrich 1932 Friedrich Gennrich, Grundriß einer Formenlehre des mittelalterlichen Liedes als Grundlage einer musikalischen Formenlehre des Liedes (Halle: Niemeyer 1932).
	Handschin 1933 Jacques Handschin, “Die Schweiz, welche sang (Über mittelalterliche Cantionen aus schweizerischen Handschriften)”, in Festschrift Karl Nef zum 60. Geburtstag (Leipzig, 1933): 102-133.
	Sachs 1933 Curt Sachs, Eine weltgeschichte des tanzes — Düsseldorf: Pädag. Verl., 1932. — Berlin: Dietrich Reimer, Ernst Vohsen, 1933 — [Engl. trans.] New York, Norton, 1937. — [It. trans.] Storia della danza Milano (Milano: Il Saggiatore, 1966, 2/1980, 3/1985, 4/1994, 5/2015). [myLib]
	Spanke 1933 Hans Spanke, [review to Allen 1931], Zeitschrift für Romanische Philologie, 53 (1933): 195-202.
	Young 1933 Karl Young, The drama of the medieval church, 2 vols (Oxford: Clarendon Press, 1933, ²1951, ³1962, ⁴1967).
	Anglès 1935 Higinio Anglès, La musica a Catalunya fins al segle xiii Barcelona: Institut d’estudis catalans, Biblioteca de Catalunya, 1935. — [repr.] Barcelona: Universitat Autònoma de Barcelona, 1988.
	Stravinsky 1935 Igor Stravinsky, Chroniques de ma vie — Paris: Denoël et Steele, 1935. — [It. trans.] Milano: Minuziano, 1947. — [repr.] Milano: Feltrinelli, 1979. [myLib]
	Müller-Freienfels 1936 Richard Müller-Freienfels, Psychologie der Musik (Berlin-Lichterfelde: Vieweg, 1936).
	Gerigk 1937 Herbert Gerigk, “Problematisches Opernwerk auf dem Ton-künstrerfest: Carmina Burana von Carl Orff“, — Völkischer Beobachter, 167 (16.vi.1937): 5. — in Franz Willnauer, Carmina Burana von Carl Orff, 2nd ed. (Mainz: Schott, 2007): 294-296. — [trad. It.] in Fassone 1995 (2009): 311-313.
1940
	Baldi 1941 Sergio Baldi, “Sull’origine latina della «common measure» inglese”, Annali della R. Scuola Normale Superiore di Pisa. Lettere, Storia e Filosofia, s. II, 10/4 (1941): 262-282.
	Lipphardt 1941 Walther Lippardt, [review: Heinrich Sande, Die Entzifferung der lateinischen Neumen (Kassel 1939)], in Archiv für Musikforschung, 6 (1941): 185-188.
	Thorndike 1941 Lynn Thorndike, “Invention of the Mechanical Clock about 1271 A.D.”, Speculum, 16/2 (1941): 242-243. [Jstor]
	Gennrich 1942 Friedrich Gennrich, “Melodien Walters von der Vogelwiede”, Zeitschrift für deutsches Altertum und deutsche Literatur, 79/1-2 (1942): 24-48.
	Mila 1942 Massimo Mila, [recensione a: Carmina Burana (Mainz: Schott, Milano: Carisch, 1937], La rassegna musicale, 15/5 (1942): 181-182.
	Spanke 1943 Hans Spanke, [review to Schumann 1970: ii (1941)], Literaturblatt für germanische und romanische Philologie, 1-2 (1943): 35-46.
	Sievert 1944 Ludwig Sievert, Lebendiges Theater: Drei Jahrzehnte deutscher Theaterkunst — München: F. Bruckmann, 1944. — [partial repr.] Bühnenbilder: 96 mehrfarbige und einfarbige Wiedergaben aus dem vergriffenen Werk “Lebendiges Theater” (München: F. Bruckmann, 1947).
	Dummer 1946 E. Heyse Dummer, “Johann Christoph Von Aretin: A Re-Evaluation”, The Library Quarterly: Information, Community, Policy, 16/2 (1946): 108-121.
	Kantorowicz 1946 Ernst H. Kantorowicz, Laudes regiae: a study in liturgical acclamations and mediaeval ruler worship ... with a study of the music of the laudes and musical transcriptions by Manfred F. Bukofzer — Berkeley: University of California press, 1946, 2/1958. — [Fr. trans.] Paris: Fayard, 2004. — [It. trans.] Milano: Medusa, 2006. [myLib]
	Mila 1946 Massimo Mila, Breve storia della musica — Milano: Bianchi-Giovini, 1946. — Torino: Einaudi, 1963.
	Müller-Freienfels 1946 Richard Müller-Freienfels, [comunicazione in] “Notes and news”, Journal of Aesthetics and Art Criticism, 5/1 (1946): 73-75. [Jstor]
	Müller-Freienfels 1947 Richard Müller-Freienfels, [comunicazione in] “International News and Correspondence”, Journal of Aesthetics and Art Criticism, 5/1 (1947): 77-89. [Jstor]
	Steinen 1948 Wolfram von den Steinen, Notker der Dichter und seine geistige Welt, 2 vols [1. Darstellungsband \| 2. Editionsband] (Bern: Francke, 1948). [myLib]
	Adorno 1949 Theodor W. Adorno, Philosophie der neuen Musik — Tubingen: J.C.B. Mohr (Paul Siebeck), 1949. — [It. trans.] Filosofia della musica moderna, Torino: Einaudi, 1959. [myLib]
	Einstein 1949 Alfred Einstein, The Italian madrigal [transl. by Alexander H. Krappe, Roger H. Sessions, Oliver Strunk], 3 vols [I, pp. 1-476 \| II, pp. 477-888 \| III, pp. 1-334] (Princeton: University Press, 1949, ²1971). [myLib]
	Vinay 1949 Gustavo Vinay, “Ugo Primate e l’Archipoeta”, Cultura Neolatina, 9 (1949): 5-40.
1950
	Adorno 1951 Theodor W. Adorno, “Bach gegen seine Liebhaber verteidigt” [1951] — in Prismen: Kulturkritik und Gesellschaft (Berlin: Suhrkamp, 1955). — [It. tans.] in Primi (Torino: Einaudi, 1976).
	De Cesare 1951 Raffaele de Cesare, Glosse latine e antico-francesi all’Alexandreis di Gautier de Chatillon (Milano: Vita e pensiero, 1951).
	Stuckenschmidt 1951 Hans Heinz Stuckenschmidt, Neue Musik — Berlin: Suhrkamp, 1951. — [It. trans.] La musica moderna (Torino: Einaudi, 1960).
	Borris 1952 Siegfried Borris, “Einfluß und Einbruch primitiver Musik in die Musik des Abendlandes”, Sociologus, 2/1 (1952): 52-72. [Jstor]
	Doney 1952 Richard Doney, “A Source for One of the Carmina Burana”, Speculum, 27/2 (1952): 191-196. [Jstor]
	Husmann 1952 Heinrich Husmann, “Zur Grundlegung der musikalischen Rhythmik des mittellateinischen”, Archiv für Musikwissenschaft, ix/1 (1952): 3-26.
	Vecchi 1952 Poesia latina medievale. Introduzione, testi, traduzione, note, trascrizioni musicali, ed. Giuseppe Vecchi (Parma: Guanda, 1952, ²1958). [myLib]
	Vertova 1952 Carmina Burana: Canti goliardici medievali, ed. Luisa Vertova (selection) — 2 vols, Firenze: Fussi, 1949-1952. [myLib] — [repr.] Firenze: Sansoni 1991
	Graves 1953 Robert Graves, The greek myths — Harmondsworth: Penguin books, 1953. — [It. trans.] Milano : Longanesi, 1955.
	Wörner 1953 Karl H. Wörner, “Current Chronicle: Germany”, The Musical Quarterly, 39/3 (1953): 435-437. [Jstor]
	Helm 1955 Everett Helm, “Carl Orff”, The Musical Quarterly, 41/3 (1955): 285-304. [Jstor]
	Lipphardt 1955 Walther Lipphardt, “Unbekannte Weisen zu den Carmina Burana”, Archiv für Musikwissenschaft, 12 (1955): 122-142.
	Milner 1955 Anthony Milner, “Radio Notes”, The Musical Times, n. 1344 (Feb. 1955): 84-85. [Jstor]
	Adorno 1956 Theodor W. Adorno, “Kritik der Musikanten” — in Dissonanzen: Musik in der verwalteten Welt (Göttingen: Vandenhoeck & Ruprecht, 1956): 67-107. — [It. trans.] Dissonanze, ed. Giacomo Manzoni (Milano: Feltrinelli 1959): 77-128.
	Kiekert 1957 Ingeborg Kiekert, Die musikalische Form in den Werken Carl Orff ’s (Regensburg: Bosse, 1957).
	Apel 1958 Willi Apel, Gregorian chant — Bloomington in: Indiana University Press, 1958, [repr.] 1990. — [It. trans.] Lucca: Libreria musicale italiana, 1998. [myLib]
	Norberg 1958 Dag Norberg, Introduction à l’étude de la versification latine médiévale — Stockholm: Almqvist & Wiksell, 1958 [Engl. trans.] An introduction to the study of medieval latin versification [intr. by Jan Ziolkowski] (Washington, The Catholic Univ. of America Press, 2004) [myLib]
	Watenphul 1958 Die gedichte des Archipoeta, ed. Heinrich Watenphul, Heinrich Krefeld (Heidelberg: Carl Winter Univ. Verl., 1958).
	Stravinsky 1959 Igor Stravinsky, Robert Craft, Conversations with Igor Stravinsky — New York: Doubleday & Company; London: Faber & Faber, 1959. — Igor Stravinsky, Robert Craft: Colloqui con Stravinsky (Torino: Einaudi, 1977). [myLib]
1960
	Harrison 1960 Frank Ll. Harrison, “Rota and Rondellus in English Medieval Music”, Proceedings of the Royal Musical Association, 86th Sess. (1959-1960): 98-107. [Jstor]
	Smither 1960 Howard Elbert Smither, Theories of rhythm in the nineteenth and twentieth centuries with a contribution to the theory of rhythm for the study of twentieth-century music PhD (Cornell University, 1960). — Ann Arbor: UMI, 1986.
	Wentzlaff-Eggebert 1960 Friedrich-Wilhelm Wentzlaff-Eggebert, Kreuzzugsdichtung des Mittelalters: Studien zu ihrer geschichtlichen und dichterischen Wirklichkeit (Berlin: de Gruyter, 1960). [Unimi]
	Lipphardt 1961/a Walther Lipphardt, “Einige unbekannte Weisen zu den Carmina Burana aus der zweiten Hälfte des 12. Jahrhunderts”, in Festschrift Heinrich Besseler zum sechzigsten Geburtstag (Leipzig: Deutscher Verlag für Musik, 1961): 101-125.
	Avalle 1962 D’Arco Silvio Avalle, “Le origini della quartina monorima di Alessandrini” — Saggi e ricerche in memoria di Ettore Li Gotti, 3 vols \| Bollettino: Centro di studi filologici e linguistici siciliani, 6-8 (1962), i: 119-160. — [repr.] in Lannutti 2017: 241-290.
	Avalle 1963 D’Arco Silvio Avalle, Preistoria dell’endecasillabo. Prolusione letta nell’università di Torino il 17 febbraio 1963 — Milano-Napoli: Ricciardi, 1963. — [repr.] in Lannutti 2017.
	Bezzola 1963 Reto R. Bezzola, “Richard I, Crœur de Lion”, in Id., Les origines et la formation de la litterature courtoise en occident (500-1200), 3 voll. in 5 tomi (Paris: Champion, 1944-1963): iii/1, 207-227.
	Orff 1963 Carl Orff, Arnold Walter, “The Schulwerk: Its Origin and Aims”, Music Educators Journal, 49/5 (1963): 69-70, 72, 74. [Jstor]
	Wicki 1963 Nicolaus Wicki, “Philipp de Grève” \| “Philipp der Kanzler”, in Lexikon für Theologie und Kirche, 2nd ed. (Freiburg: Herder, 1963), viii: Palermo-Roloff, p. 450, 452-453.
	Beatie 1965 Bruce A. Beatie, “Carmina Burana 48-48a: A Case of Irregular Contrafacture”, Modern Language Notes, 80 (1965), 470-78 [Jstor]
	Gennrich 1965/a Friedrich Gennrich, Die Kontrafaktur im Liedschaffen des Mittelalters (Langen bei Frankfurt: Gennrich, 1965).
	Dronke 1966 Peter Dronke, Medieval Latin and the rise of European love-lyric — 2 vols (Oxford: Clarendon press, 1965-1966, 2/1968) — [repr. 1968 in 1 vol.] Ibidem, 1999. [myLib]
	Smiraglia 1966 Francesco Arnaldi, Pasquale Smiraglia, “Filippo de Grève o Filippo il Cancelliere?”, in Estudis de llatí medieval i de filologia romànica dedicats a la memòria de Lluís Nicolau d’Olwer, 2 vols (Barcelona: Institut d’estudis catalans, 1966): 25-34.
	D. Stevens 1966 Denis Stevens, [review of Frühe Musik in Italien, Frankreich und Burgund by Studio der frühen Musik], The Musical Quarterly, 52/1 (1966): 132-135.
	Wiesli 1966 Walter Wiesli, Das Quilisma im Codex 359 der Stiftsbibliothek St. Gallen erhellt durch das Zeugnis der Codices: Einsiedeln 121, Bamberg lit. 6, Laon 239 und Chartres 47: Eine paläographisch-semiologische Studie (Immensee: Missionhaus Bethlehem, 1966).
	Bischoff 1967 Carmina Burana: Faksimile-Ausgabe der Handschrift der Carmina Burana und der Fragmenta Burana (Clm. 4660 und 4660a) der Bayerischen Staatsbibliothek in Müchen, ed. Bernard Bischoff, 2 voll., München: Prestel, 1967. Introduction \| Facsimile
	Husmann 1967 Heinrich Husmann, “Ein Faszikel Notre-Dame-Kompositionen auf Texte des Pariser Kanzlers Philipp in einer Dominikanerhandschrift (Rom, Santa Sabina XIV L 3)”, Archiv für Musikwissenschaft, 24/1 (1967): 1-23.
	Cardine 1968 Eugène Cardine, Semiologia gregoriana Roma, Pontificio istituto di musica sacra, 1968, ²1979. — [Fr. tr.] in Etudes grégoriennes, 11 (1970): 1-158. — [Fr. tr.] Sémiologie grégorienne (Sablé-sur-Sarthe: Abbaye Saint-Pierre de Solesmes, 1970). — [Jap. tr.] Kogaku fukigō kaidoku kaishaku (Tōkyō: Ongaku Shiyūsha, 1979). — [Eng. tr.] Gregorian semiology (Sablé-sur-Sarthe: Abbaye Saint-Pierre de Solesmes, 1982). — [Ger. tr.] Gregorianische Semiologie (s.l.: Eigenverl, 1985). — [Sp. tr.] Semiología gregoriana (Silos, Centro Nacional de Difusión del Canto Gregoriano, 1982, ²2005). — [Cat. tr.] Semiologia gregoriana (Barcelona 1997). — [Pol. tr.] Semiologia gregoriańska (Kraków: Tyniec - Wydawnictwo Benedyktynów, 2000). — [Germ. tr.] Gregorianische Semiologie (Solesmes: La Froidfontaines, 2003).
	Clemencic 1968 René Clemencic, Old musical instruments — London: Weidenfeld & Nicolson, 1968 — [Germ. ed.] Alte Musikinstrumente (Frankfurt am Main: Ariel-Verlag, 1968). — [repr.] New York: G.P. Putnam’s Sons, 1968 — [repr.] London: Octopus Books, 1973 [myLib] — [repr.] Stuttgart: Parkland, 1974 — [repr.] Essen, Mundus Verlag, 1986
	Dronke 1968 Peter Dronke, The medieval lyric London: Hutchinson, 1968, 2/1978 [myLib] — Cambridge: D. S. Brewer, 3/1996, 4/2002
	Avalle 1969 D’arco Silvio Avalle, Venti lezioni sulla teoria del ritmo nel Medioevo — dattiloscritto, appunti raccolti da Gian Paolo Caprettini e Sandro Orlando (Torino: s.n., 1969) “Dalla metrica alla ritmica”, in Spazio 2006: Il Medioevo latino, I/1 (1992): 391-476. — “Venti lezioni sulla teoria del ritmo nella tarda Antichità e nel Medioevo” in Lannutti 2017: 3-85.
	Gentilucci 1969 Armando Gentilucci, Guida all’ascolto della musica contemporanea — Milano: Feltrinelli, 1969, 9/1992. [myLib] — [Sp. trans.] Guía para escuchar la música contemporánea (Caracas: Monte Avila, 1977).
1970
	Schumann 1970 Carmina burana, from Wilhelm Meyers, ed. Alfons Hilka, Otto Schumann, Bernhard Bischoff, I. Band: Text \| II. Band: Kommentar (Heidelberg: Carl Winter’s Universitätsbuchhandlung, 1930-1970). I.1. Die moralisch-satirischen Dichtungen, ed. Alfons Hilka, Otto Schumann [1-55] (1930, ²1961) — II.1. Einleitung (1930, ²1961) \| pp. 12-15, 26-55, 62-67 [myLib] I.2. Die Liebeslieder, ed. Otto Schumann [56-186] (1941) I.3. Die Trink- und Spielerlieder \| Die geistlichen Dramen, ed. Otto Schumann, Bernhard Bischoff [187-228, 1-26] (1970) (bibl. ref. vols 1-3) — [repr. I. Band: 1930-1970] München: Deutscher Taschenbuch-Verlag, 1983, ²1991.
	Milde 1971 Wolfgang Milde, “The Library at Wolfenbüttel, from 1550 to 1618”, The Modern Language Review, 66/1 (1971):: 101-112.
	W. S. Allen 1973 W. Sidney Allen, Accent and rhythm: Prosodic features of Latin and Greek: A study in theory and reconstruction (Cambridge: University Press, 1973). [myLib]
	Anderson 1974 Gordon A. Anderson, “Notre-Dame and related conductus: A catalogue raisonné”, Miscellanea musicologica: Adelaide studies, 6 (1972): 153-229 [myLib] \| 7 (1974): 1-81.
	Bernt 1974 Carmina Burana: die Gedichte des Codex Buranus lateinisch und deutsch, ed. Günter Bernt, Carl Fischer [trans. Lat.], Hugo Kuhn [trans. Germ.] — Zurich: Artemis, 1974. — [repr.] München: Deutscher Taschenbuch, 1979. — [repr.] Stuttgart: Stuttgart, 1992, 5/2012
	Schmidt 1974 Paul Gerhard Schmidt, “Das Zitat in der Vagantendichtung Bakelfest und Vagantenstrophe cum auctoritate” in Antike und Abendland, 20/1 (1974): 74-87. [Engl. trans.] “The quotation in Goliardic poetry: the Feast of Fools and the Goliardic strophe cum auctoritate”, in Latin poetry and the classical tradition: Essays in medieval and renaissance literature, ed. Peter Godman, Oswyn Murray (Oxford: Clarendon press, 1990): 39-55.
	Spreckelmeyer 1974 Goswin Spreckelmeyer, Das Kreuzzugslied des lateinischen Mittelalters München: W. Fink, 1974. — [2nd ed. + music] Göppingen : Kümmerle, 1987.
	Bachmann 1976 Gideon Bachmann, “Pasolini on de Sade: An Interview during the Filming of ‘The 120 Days of Sodom’”, Film Quarterly, 29/2 (1975-1976): 39-45. [Jstor]
	Bachmann 1976/a Gideon Bachmann, “The 220 days of Salò: Pasolini’s last film”, Film Comment, 12/2 (1976): 38-47. [Jstor]
	Dronke 1976 Peter Dronke, “Peter of Blois and poetry at the court of Henri II” — Mediaeval Studies, 28 (1976): 185-235. — [repr.] in Dronke 1984: 281-339.
	Duby 1976 Georges Duby, Saint Bernard. L’art cistercien — Paris: Arts et métiers graphiques, 1976. — [It. tr.] San Bernardo e l’arte cirtercense (Torino: Einaudi, 1982).
	Latzke 1976 Therese Latzke, “Das Verwahrungsgedicht mit besonderer Berücksichtigung der Carmina Burana 95 und 117”, Mittellateinisches Jahrbuch, 11 (1976): 151-176.
	Sulowski 1976 [Radulphus de Longo Campo], Distinctiones: vocabularium semanticum saeculi XII (circa 1190) dictionibus illustratum, ed. Jan Sulowski (Wrocław: Ossolineum, 1976).
	Binkley 1977 Thomas Binkley, “Zur Aufführungspraxis der einstimmigen Musik des Mittelalters. Ein Werkstattbericht”, Basler Jahrbuch für historische Musikpraxis, 1 (1977): 19-76.
	Rico 1977 Francisco Rico, On source, meaning and form in Walter of Chatillon’s ‘Versa est in luctum’ (Barcelona, Universitdad Autonoma, 1977).
	Rigg 1977 Arthur George Rigg, “Golias and other pseudonyms”, Studi medievali, s. iii, 18/1 (1977): 65-109
	Strunk 1977 Oliver Strunk, Essays on music in the Byzantine world, pref. Kenneth Levy (New York: W.W. Norton, 1977). [myLib]
	Mertin 1978 Josef Mertin, Alte Musik: Wege zur Auffuhrungspraxis — Wien: Lafite, 1978. — [Engl. trans.] Early music: approaches to performance practice (New York: Da Capo Press, 1986).
	Tischler 1978 The Montpellier Codex, ed. Hans Tischler, 4 vols (Madison, Wi: A-R Editions, 1978-1985) — 1. Fascicles 1 and 2 (1978) — 2. Fascicles 3, 4, and 5 (1978) — 3. Fascicles 6, 7 and 8 (1978) — 4. Texts and translations, ed. Susan Stakel, Joel C. Relihan (1985)
	Clemencic 1979 Carmina Burana: Gesamtausgabe der mittelalterlichen Melodien mit den dazugehorigen Texten, ed. René Clemencic, Michael Korth, trans. Ulrich Muller (München: Heimeran, 1979).
	Massa 1979 Carmina Burana, ed. Eugenio Massa (Viareggio, Roma: Edizioni Giolitine, 1979). [myLib]
1980
	Boswell 1980 John Boswell, Christianity, social tolerance, and homosexuality: Gay people in Western Europe from the beginning of the Christian era to the fourteenth century Chicago: University of Chicago Press, 1980, ¹⁷2015) — [Fr. trans.] Christianisme, tolerance sociale et homosexualite (Paris: Gallimard, 1980, ²1985). — [It. trans.] Cristianesimo, tolleranza, omosessualità: La chiesa e gli omosessuali dalle origini al xiv secolo (Milano: Leonardo, 1989). [myLib] — [Sp. trans.] Cristianismo, tolerancia social y homosexualidad (Barcelona: Muchnik, 1992).
	Lanza 1980 Andrea Lanza, Il Novecento II (Storia della musica, 10.2; Torino: Edt, 1983, 2/1991).
	Maccagnolo 1980 Il divino e il megacosmo: Testi filosofici e scientifici della scuola di Chartres [Teodorico di CHartres, Guglielmo di Conches, Bernardo Silvestre], ed. Enzo Maccagnolo (Milano: Risconi, 1980). [myLib]
	Müller 1980 Ulrich Müller, “Beobachtungen zu den ‘Carmina Burana’: 1. Eine Melodie zur Vaganten-Strophe \| 2. Walthers ‘Palästina-Lied’ in ‘versoffenem’ Kontext: eine Parodie”, Mittellateinisches Jahrbuch, 15 (1980): 104-111. p. 1382 da Michele Feo in Annali della Scuola Normale di Pisa. Classe di lettere e filosofia, 11/4 (1981): 1372-1385. [Jstor]
	Page 1980 Christopher Page, [review to Les Cantigas by Clemencic Consort], Early Music, 8/1 (1980): 117-119.
	Rico 1980 Francisco Rico, “Un poema de Gautier de Châtillon: fuente, forma y sentido de «Versa est in luctum»” — in Etudes de philologie romane et d’histoire littéraire offertes à Jules Horrent à l’occasion de son soixantième anniversaire, ed. Jean Marie d’ Heur, Nicoletta Cherubini (Liège: Gedit, 1980): 365-78. in Id., Estudios de literatura y otras cosas (Barcelona: Destino, 2002): 13-32.
	Thurston 1980 The conductus collections of ms Wolfenbüttel 1099, ed. Ethel Thurston, 3 vols (Madison: A-R Editions, 1980).
	Elliot 1981 Alison G. Elliott, “The Bedraggled Cupid: Ovidian Satire in Carmina Burana 105”, Traditio, 37 (1981): 426-437. [Jstor]
	Feo 1981 Michele Feo, [bollettno bibliografico], Annali della Scuola Normale di Pisa. Classe di lettere e filosofia, 11/4 (1981): 1372-1385. [Jstor]
	Tischler 1982 Hans Tischler, The earliest motets (to circa 1270): A complete comparative edition, 3 vols (New Haven: Yale university press, 1982).
	Huglo 1983 Michel Huglo, [review to Clemencic 1979], Latomus, 42/1 (1983): 173-174. [Jstor]
	Lerdahl-Jackendoff 1983 Fred Lerdahl, Ray Jackendoff, A generative theory of tonal music (Cambridge ma: The Mit press, 1983, ²1996).
	Orff 1983 Carl Orff und sein Werk: Dokumentation, 8 voll. (Tutzing: Schneider, 1975-1983).
	Steer 1983 Georg Steer, “Carmina Burana in Südtirol. Zur Herkunft des clm 4660”, Zeitschrift für deutsches Altertum, 112 (1983): 1-37.
	Walsh 1983 Patrick Gerard Walsh, “Golias and goliardic poetry”, Medium Aevum, 52/1 (1983): 1-9.
	Birlauf-Bonnet 1984 Anne Marie Birlauf-Bonnet, “Überlegungen zur Brixener Malerei in den ersten Jahrzehnten des 13. Jahrhunderts”, Wiener Jahrbuch für Kunstgeschichte, 37/1 (1984): 23-39.
	Dronke 1984 Peter Dronke, The Medieval poet and his world (Roma: Edizioni di storia e letteratura, 1984) [myLib]
	Hiley 1984 David Hiley, “The Plica and Liquescence”, in Gordon Athol Anderson (1929-1981). In memoriam (Musicological Studies, 49/2; Henryville: Insititute of Medieval Music, 1984): 379-391.
	McDonough 1984 The Oxford poems of Hugh Primas and the Arundel lyrics: edited from Bodleian Library ms. Rawlinson G. 109 and British library ms. Arundel 384, ed. C. J. McDonough — Toronto: Pontifical institute of Mediaeval studies, 1984 — [2nd ed.] The Arundel lyrics: The poems of Hugh Primas (Cambridge ms, London: Harvard University press, 2010).
	Norberg 1985 Dag Norberg, L’accentuation des mots dans le vers latin du Moyen Age (Stockholm: Almqvist & Wiksell, 1985) [myLib]
	Tischler 1985 Hans Tischler, The style and evolution of the earliest motets (to circa 1270), 4 vols (Henryville: Institute of Mediaeval Music) 1. Text \| 2. Tabular surveys \| 3a./3b. Catalogue raisonné
	Wicki 1985 Philippi Cancellarii parisiensis: Summa de bono, ed. Nicolai Wicki (Bernae: A. Francke, 1985). 1. Vie de Philippe le Chancelier (pp. 11-28).
	Brusniak 1986 Friedhelm Brusniak, [review of Clemencic 1979], in Musik in Bayern: Halbjahresschrift der Gesellschaft für Bayerische Musikgeschichte, 32 (1986): 157-160.
	Cecchini 1986 Vittorio Cecchini, I goliardi e i loro canti scelti dai Carmina Burana e da altri testi: La goliardia dai Clerici Vagantes alla sua rinascita (1945-46) [selection, latin] (Pisa: Giardini, 1985). [myLib]
	Dronke 1986 Peter Dronke, “La lirica d’amore in latino nel secolo xiii” — in Aspetti della letteratura latina nel secolo XIII, atti dell’Associazione per il Medioevo e l’Umanesimo latini [AMUL], ed. Cl. Leonardi, G. Orlandi (Perugia-Firenze 1986): 29-56 — in Dronke 1997: 325-348.
	Lester 1986 Joel Lester, The rhythms of tonal music (Carbondale and Edwardsville: Southern Illinois University Press, 1986).
	Payne 1986 Thomas B. Payne, “Associa tecum in patria: A newly identified organum trope by Philip the Chancellor”, Journal of the American Musicological Society, 39/2 (1986): 233-254.
	Stevens 1986 Words and music in the Middle Ages: Song, narrative, dance and drama, 1050-1350, ed. John Stevens (Cambridge: University press, 1986) [myLib]
	C. Wright 1986 Craig Wright, “Leoninus, poet and musician”, Journal of the American Musicological Society, 39 (1986): 1-35.
	Blodgett 1987 The love songs of the Carmina Burana, ed. & trans. E. D. Blodgett, Roy Arthur Swanson (New York, London: Garland, 1987).
	Dronke 1987 Peter Dronke, “The Lyrical Compositions of Philip the Chancellor”, Studi Medievali, 28 (1987): 563-592.
	Drumbl 1987 Johan Drumbl, “Il genere e la storia. Appunti sulla tradizione drammatica nell’alto medioevo”, Teatro e Storia, 3/2 (1987): 205-249.
	Smolak 1987 Kurt Smolak, “Epicurus propheta: eine Interpretation von Carmen Buranum 211”, Wiener Studien, 100 (1987): 247-256.
	Vollmann 1987 Carmina Burana: Texte und Ubersetzungen mit den Miniaturen aus der Handschrift [intr. by Peter & Dorothee Diemer], ed. Benedikt Konrad Vollmann (Frankfurt am Main: Deutscher Klassiker Verlag, 1987). [Unimi]
	Abulafia 1988 David Abulafia, Frederick II: A medieval emperor — London: Penguin, 1988. — [It. trans.] Federico II: Un imperatore medievale (Torino: Einaudi, 1990). [myLib]
	Anderson 1988 Notre Dame and related conductus. Opera omnia, ed. Gordon A. Anderson, 10 vols (Henryville: Institute of Mediaeval music, 1978-1988). [distributed by American Institute of Musicology] — 1. Four- and three-part conductus [testimoni principali] (1986) \| A1-13 \| B1-3 \| C1-8 \| D1-4 \| E1-14 — 2. Three-part conductus [testimoni principali] (1986) \| F1-34 — 3. Two-part conductus [in 3/4 testimoni principali] (1981) \| G1-9 \| H1-33 — 4. Two-part conductus [in 2 testimoni principali] (1986) \| I1-35 — 5. Two-part conductus [unica] (1979) \| J1-59 — 6. One-part conductus [dal fasc. 10 di F] (1981) \| K1-83 \| (K52) — 7. [non pubblicato] — 8. One-part conductus [rondeaux in latino] (1978) \| M1-60 \| N1-45 — 9. Three-part conductus [altri testimoni] (1986) \| B4 \| O1-54 — 10. Two-part conductus [altri testimoni] (1988) \| P1-49 — 11. [non pubblicato]
	Bellanti 1988 Un epistolario d’amore del XII secolo: Abelardo e Eloisa?, ed. Graziella Ballanti (Roma: Anicia, 1988).
	Traill 1988 David A. Traill, “Notes on ‘Dum Diane vitrea’ (CB 62) and ‘A globo vetri’ (CB 67)”, Mittellateinisches Jahrbuch, 23 (1988): 143-151.
	Di Girolamo 1989/a Costanzo Di Girolamo, I trovatori (Torino: Bollati Boringhieri, 1989). [myLib]
	P. Rossi 1989 Carmina Burana, ed. [It. trad.] Piervittorio Rossi (Milano: Bompiani, 1989, ²1991, ³1995, ⁴2002, ⁵2006, ⁶2010, ⁷2016). [myLib]
	Schulze 1989 Joachim Schulze, Sizilianische Kontrafakturen: Verzuch zur Frage der Einheit von Musik und Dichtung in der sizilianischen und sikulo-toskanischen Lyrik des 13. Jahrhunderts (Tübingen: M. Niemeyer, 1989).
1990
	Dangel-Hofmann 1990 Carl Orff, Michel Hofmann: Briefe zur Entstehung der Carmina Burana, ed. Frohmut Dangel-Hofmann (Tutzing: Hans Scnheider, 1990). [myLib]
	Dronke 1990 Peter Dronke, “The Archipoet end the Classics” — in Latin poetry and the classical tradition: essays in medieval and renaissance literature, ed. Peter Godman, Oswyn Murray (Oxford: Clarendon Press, 1990). — [repr.] in Dronke 1997: 83-100.
	Meneghetti 1990 Maria Luisa Meneghetti, “Uc de Saint Circ tra filologia e divulgazione (su data, formazione e fini del Liber Alberici)”, in Il Medioevo nella Marca. Trovatori, giullari, letterati a Treviso nei secoli XIII e XIV, atti del convegno (Treviso, 28-29 settembre 1990), ed. M. L. Meneghetti, Francesco Zambon (Treviso: Edizioni Premio Comisso, 1991): 115-128. [myLib]
	Zanetti 1990 Bacioch [Dante Zanetti], Primi esperimenti di traduzione dei Carmina Burana in dialetto pavese (Pavia: Fusi, 1990). [myLib]
	Dower 1991 Catherine Dower, Alfred Einstein on music: Selected music criticisms (New York: Greenwood Press, 1991).
	Latella 1991 Walter Map, Svaghi di corte, ed. Fortunata Latella (Parma: Pratiche, 1991).
	Moya 1991 Enrique Moya, “René Clemencic: La música antigua es una aventura contemporánea”, Scherzo: Revista de música clásica, 6, n. 56 (lug-ago 1991): 45-50.
	Payne 1991 Thoma B. Payne, Poetry, politics, and polyphony: Philip the Chancellor’s contribution to the music of the Notre Dame school (PhD, University of Chicago, 1991).
	Planchart 1991 Alejandro Enrique Planchart, [review: Clemencic 1979], Notes, 47/3 (1991): 712-715 [Jstor]
	Jeffery 1992 Peter Jeffery, Re-envisioning past musical cultures: Ethnomusicology in the study of Gregorian chant (Chicago: Chicago University Press, 1992). [myLib]
	Ridder-Symoens 1992 Hilde de Ridder-Symoens, Universities in the Middle Ages (Universities in the Middle Ages, 1; Cambridge: University Press, 1992).
	Sayce 1992 Olive Sayce, Plurilingualism in the Carmina Burana: A Study of the Linguistic and Literary Influences on the Codex (Goppingen: Kummerle, 1992). [myLib]
	Southern 1992 Richard William Southern, “The necessity of two Peters of Blois”, in Intellectual life in the Middle Ages: Essays presented to Margaret Gibson, ed. Lesley Smith, Benedicta Ward (London: Hambledon press, 1992): 103-118.
	Thomas 1992 Werner Thomas, “Trionfo oder Konsum? Werkidee und Rezeptionspraxis von Carl Orffs Carmina Burana”, International Journal of Musicology, 1 (1992): 245-272. [Jstor]
	Breuer 1993 Stefan Breuer, Anatomie der Konservativen Revolution — Darmstadt: Wissenschaftiche Buchgesellschaft, 1995 — [trad. It.] La rivoluzione conservatrice: il pensiero di destra nella Germania di Weimar (Roma: Donzelli, 1995).
	Gillingham 1993 Bryan Gillingham, Secular Medieval Latin Song: An Anthology (Ottawa, Institute of Mediaeval Music, 1993).
	Hiley 1993 David Hiley, Western Plainchant: A Handbook (Oxford: Clarendon press, 1993) \| (pdf) [myLib]
	Walsh 1993 Patrick Gerard Walsh, Love lyrics from the Carmina Burana (Chapel Hill: The University of North Carolina Press, 1993).
	Adcock 1994 Hugh Primas and the Archpoet, ed. Fleur Adcock (Cambridge: University press, 1994). [myLib]
	Fassone 1994 Alberto Fassone, Carl Orff — Lucca: Lim, 1994. — [new ed.] Lucca: Lim, 2009. [myLib]
	Molinari 1994 Le stagioni del Minnesang, ed. Maria Vittoria Molinari (Milano: Biblioteca universale Rizzoli, 1994, ²1998, ³2002). [myLib]
	Fallows 1995 David Fallows, “Thomas Binkley, 1931-1995”, Early Music, 23/3 (1995): 538-540.
	Kater 1995 Michael H. Kater, “Carl Orff im Dritten Reich”, Vierteljahrshefte für Zeitgeschichte, 43/1 (1995): 1-35.
	Lasocki 1995 David Lasocki, “The Several Lives of Tom Binkley: A Tribute”, Early Music America, 1/3 (1995): 16-24.
	Peraino 1995 Judith Ann Peraino, New music, notions of genre, and the “Manuscrit du Roi” circa 1300, PhD (Berkeley: University of California, 1995).
	Seebohm 1995 Andrea Seebohm, “Unbewältigte musikalische Vergangenheit. Ein Kapitel österreichischer Musikgeschichte, das bis heute ungeschrieben ist”, in Wien 1945 davor/danach, ed. Liesbeth Waechter-Bohm (Wien: C. Brandstatter, 1985): 140-151.
	É. Wolff 1995 Carmina Burana, ed. Étienne Wolff (Paris: Impr. nationale éditions, 1995).
	Aubrey 1996 Elizabeth Aubrey, The music of the troubadours (Bloomington in: Indiana University press, 1996). [myLib]
	Azzaroni 1997 Loris Azzaroni, Canone infinito: Lineamenti di teoria della musica (Bologna: Clueb, 1997). [myLib]
	Dronke 1997 Peter Dronke, Sources of inspiration: Studies in literary transformations, 400-1500 (Roma: Edizioni di storia e letteratura, 1997). [myLib]
	Ferreira 1997 Manuel Pedro Ferreira, Music at Cluny: The tradition of Gregorian chant for the Proper of the Mass. Melodic variants and microtonal nuances (PhD, Princeton University, 1997).
	Lammers 1997 Heike Sigrid Lammers, Carmina Burana: Musik und Aufzeichnung (PhD, Munich: Lud-wig-Maximilians Universität, 1997). [myDL]
	Meneghetti 1997 Maria Luisa Meneghetti, Le origini delle letterature medievali romanze (Bari-Roma: Laterza, 1997, ¹²2012). [myLib]
	Sherman 1997 Bernard D. Sherman, Inside Early Music: Conversations with Performers New York: Oxford University press, 1997, ²2003 \| (word search) — [tr. It. (solo capp. 1-2)] Interviste sulla musica antica. Dal canto Gregoriano a Monteverdi, ed. Sergio Bestente (Torino: EDT, 2002) \| [myLib] — pp. 1-24 \| pp. 106-114
	Verger 1997 Jacques Verger, Il Rinascimento del xii secolo (Milano: Jaca book, 1997). [myLib]
	Bastiaensen 1998 Antoon A. R. Bastiaensen, “L’histoire d’un vers: le septènaire trochaique de l’Antiquitè au Moyen Âge”, Humanitas, 50 (1998): 173-187.
	Bergeron 1998 Katherine Bergeron, Decadent enchantments. The revival of gregorian chant at Solesmes (Berkeley: University of California press, 1998). [myLib]
	Cook 1998 Nicholas Cook, Music: A very short introduction — Oxford: University press, 1998. — [It. trans.] Musica: Una breve introduzione (Torino: Edt, 2005)
	Knapp 1998 Fritz Peter Knapp, “Die Carmina Burana als Ergebnis europäischen Kulturtransfers”, in Kultureller Austausch und Literaturgeschichte im Mittelalter = Transferts culturels et histoire litteraire au Moyen Age, ed. Ingrid Kasten, Werner Paravicini, Rene Perennec (Sigmaringen: Thorbecke, 1998): 283-301.
	Russom 1998 Geoffrey Russom, Beowulf and Old Germanic Metre (Cambridge: University Press, 1998). [Unimi]
	Wakefield 1998 Roy Wakefield, “Excalibur: Film Reception and Political Distance”, in Politics in German Literature, ed. Beth Bjorklund, Mark E. Cory (Columbia, SC: Camden House, 1998): 166-176.
	É. Wolff 1998 Étienne Wolff, “Les Carmina Burana: plurilinguisme et poésie”, Bulletin de l’Association Guillaume Budé, 3 (1998): 260-271.
	Wollin 1998 Petrus Blesensis: Carmina, ed. Carsten Wollin (Turnhout: Brepols 1998).
	Brévart 1999 Das Eckenlied: Sämtliche Fassungen, ed. Francis B. Brévart, 3 vols (Tübingen: M. Niemeyer, 1999) [Unimi]
	Mews 1999 Constant J. Mews, The lost love letters of Heloise and Abelard: Perceptions of dialogue in twelfth-century France (New York: St. Martins press, 1999).
2000
	Beghelli 2000 Marco Beghelli, “Erotismo canoro”, Il saggiatore musicale, 7/1 (2000): 123-136.
	Brunetti 2000 Giuseppina Brunetti, Il frammento inedito Resplendiente stella de albur di Giacomino Pugliese e la poesia italiana delle origini (Tubingen: Niemeyer, 2000).
	Edwards 2000 Cyril Edwards, ‘‘The German texts in the Codex Buranus,’’, in Jones 2000: 41-70.
	Jans 2000 Hans Jörg Jans, J. Bradford Robinson, “Behind the Scenes: Composer Institutes and the Semblance of Censorship”, The Musical Quarterly , 84/4 (2000): 696-704. [Jstor]
	Jones 2000 The Carmina Burana: Four Essays, ed. Martin H. Jones (London: King’s College London, Centre for Late Antique & Medieval Studies, 2000). [myLib]
	Kater 2000 Michael H. Kater, “Carl Orff man of legend”, in Id., Composers of the Nazi Era: Eight Portraits (New York: Oxford University Press, 2000): 111-143.
	Kowalke 2000 Kim H. Kowalke, “Burying the Past: Carl Orff and His Brecht Connection”, The Musical Quarterly , 84/1 (2000): 58-83. [Jstor]
	Kowalke 2000/a Kim H. Kowalke, “A Reply to Hans Jörg Jans”, The Musical Quarterly , 84/4 (2000): 705-710. [Jstor]
	Lannutti 2000 Maria Sofia Lannutti, “’Ars’ e ‘scientia’, ‘actio’ e ‘passio’. Per l’interpretazione di alcuni passi del De vulgari eloquentia”, Studi medievali, 41 (2000): 1-38.
	Brunner 2001 Horst Brunner, “Ton”, in Grove Music Online (Oxford: University Press, 2001).
	Fabian 2001 Dorottya Fabian, “The Meaning of Authenticity and The Early Music Movement: A Historical Review”, International Review of the Aesthetics and Sociology of Music, 32/2 (2001): 153-167.
	Haines 2001/b John Haines, “The Arabic style of performing medieval music”, Early music, 29/3 (2001): 369-378.
	Lazzerini 2001 Lucia Lazzerini, Letteratura medievale in lingua d’oc (Modena: Mucchi, 2001, ²2010).
	Payne 2001 Thomas B. Payne, “Datable “Notre Dame” Conductus: New Historical Observations on Style and Technique”, Current musicology, 64 (2001): 104-151.
	Traill 2001 David A. Traill, “Reaching the right harbour: Negotiating the double entendres in Carmina Burana 128”, Filologia mediolatina, 8 (2001): 173-178.
	Lewon 2002 Marc Lewon, Eine musikalische Analyse zur Handschrift O (MA thesis, Ruprecht-Karls-Universität Heidelberg, 2002).
	Nattiez 2002 Jean-Jacques Nattiez, “Interpretazione e autenticità”, in Nattiez 2005: ii (2002)
	Wulstan 2002 David Wulstan, “Novi modulaminis melos: The music of Heloise and Abelard”, Plainsong and Medieval Music, 11/1 (2002): 1-23.
	Baroffio 2003/a Giacomo Baroffio, “Tradizione musicale e fortuna dei Carmina Burana”, in Bianchini 2003: 1163-86.
	Bianchini 2003 Carmina Burana, ed. Edoardo Bianchini (Milano: Rizzoli, 2003). [myLib] [solo il i vol. (nn. 1-55)]
	Corbellari 2003 Les dits d’Henri d’Andeli, ed. Alain Corbellari (Paris: Champion, 2003).
	Drumbl 2003 Johann Drumbl, “Studien Zum Codex Buranus”, Aevum, 77/2 (2003): 59-90
	Traill 2003 David A. Traill, “Philip the Chancellor and F10: Expanding the Canon”, Filologia mediolatina, 10 (2003): 219-248.
	Wulstan 2003 The poetic and musical legacy of Heloise and Abelard: An anthology of essays by various authors, ed. Marc Stewart, David Wulstan (Ottawa: The Institute of Mediaeval Music; Westhumble: The Plainsong and Mediaeval Music Society, 2003).
	Aoyama 2004 Eriko Aoyama, Noah Greenberg and the New York Pro Musica: The Career, Reception, and Impact, PhD (University of Cincinnaty, 2004).
	Azzara 2004 Claudio Azzara, Le civiltà del Medioevo (Bologna: Il Mulino, 2004, ²2013). [myLib]
	Baroffio 2004 Bonifacio Baroffio, “I libri liturgici musicali, con particolare attenzione ai codici italiani”, in Fiore 2004: 21-41.
	Carapezza 2004 Francesco Carapezza, Il canzoniere occitano G Ambrosiano R 71 sup. (Napoli: Liguori, 2004).
	Damian-Grint 2004 Peter Damian-Grint, “Hilary [Hilary of Orléans]”, in Oxford Dictionary of National Biography Online (Oxford: Univeristy Press, 2004). [Unimi]
	Everist 2004 Marc Everist, “Le fonti della musica polifonica, ca. 1170-1330”, in Fiore 2004: 43-64.
	Fiore 2004 Il libro di musica: per una storia materiale delle fonti musicali in Europa, ed. Carlo Fiore (Palermo: L’epos, 2004, 2/2007). [myLib]
	Gillingham 2004 Bryan Gillinham, “The Transmission of two Secular Latin Songs”, Studia Musicologica Academiae Scientiarum Hungaricae, 45/1-2 (2004): 105-117. [Jstor]
	Haines 2004 John Haines, Eight centuries of troubadours and trouveres: the changing identity of Medieval music (Cambridge: Cambridge University Press, 2004).
	Jaschinski 2004 Eckhard Jaschinski, Kleine Geschichte der Kirchenmusik — Freiburg im Breisgau: Herder, 2004. — [It. trans.] Breve storia della musica sacra (Brescia: Queriniana, 2006). [myLib]
	Caraci 2005 Maria Caraci Vela, La filologia musicale: istituzioni, storia, strumenti critici (Lucca: Lim, 2005-2013). [myLib] — 1. Fondamenti storici e metodologici della filologia musicale (2005) — 2. Approfondimenti (2005) — 3. Antologia di contributi filologici (2013)
	Dronke 2005 Peter Dronke, Giovanni Orlandi, “New works by Abelard and Heloise?”, Filologia mediolatina. Rivista della Fondazione Ezio Franceschini, 12 (2005): 123-178
	Du Closel 2005 Amaury du Closel, Les voix étouffées du Troisième Reich: entartete Musik: essai (Arles: Actes sud, 2005). [myLib]
	Miramon 2005 Charles de Miramon, “La place d’Hugues de Saint-Cher dans les débats sur la pluralité des benefices (1230-1240)”, in Hugues de St-Cher, bibliste et théologien, ed. Louis-Jacques Bataillon, Gilbert Dahan, Pierre-Marie Gy (Turnhout: Brepols, 2005): 341-386.
	Molino 2005 Jean Molino, “Che cos’è l’oralità musicale”, in Nattiez 2005, V: 367-413.
	Nattiez 2005 Enciclopedia della musica, ed. Jean-Jacques Nattiez, 5 vols (Torino: G. Einaudi, 2001-2005, ²2006). [myLib] — Index [pdf] \| \| 1. Il Novecento (2001, repr. [3-4] 2006). — 2. Il sapere musicale (2002, repr. [9-10] 2006). — 3. Musica e culture (2003, repr. [5-6] 2006). \| \| 4. Storia della musica europea (2004, repr. [1-2] 2006). — 5. L’unità della musica (2005, repr. [7-8] 2006). — [Fr. trans.] Musiques: Une encyclopédie pour le xxi^e siècle, 5 vols (Arles: Actes Sud, 2003-2007).
	Taruskin 2005 Richard Taruskin, The Oxford history of western music, 6 vols (Oxford: Oxford University Press, 2005).
	Traill 2005 David A. Traill, “Walter of Chatillon’s prosimetron ‘In Domino confido’ (W.3): Where and when was it performed?”, in Poesía latina medieval, siglos V-XV, proceedings (Santiago de Compostela, 12-15.ix.2002) ed. Manuel C. Diaz y Diaz, José M. Díaz de Bustamante (Firenze: Sismel, 2005): 851-860.
	Visser 2005 Arnould S.Q. Visser, Joannes Sambucus and the learned image: The use of the emblem in late-Renaissance Humanism (Leiden, Boston: Brill, 2005).
	Dainotto 2006 Roberto M. Dainotto, “Of the Arab Origin of Modern Europe: Giammaria Barbieri, Juan Andrés, and the Origin of Rhyme”, Comparative Literature, 58/4: The idea of Europe (2006): 271-292.
	Spazio 2006 Lo spazio letterario del Medioevo, 15 vols (Roma: Salerno, 1992-2006). — 1. Il Medioevo latino, ed. Guglielmo Cavallo, Claudio Leonardi, Enrico Menestò, 6 vols (1992-1998). — 2. Il Medioevo volgare, ed. Piero Boitani, Mario Mancini, Alberto Vàrvaro, 6 vols (1999-2005). — 3. Le culture circostanti, ed. Mario Capaldo et al., 3 vols (2003-2006). [myLib]
	Traill 2006 David A. Traill, “A cluster of poems by Philip the Chancellor in ‘Carmina Burana’ 21-36”, Studi medievali, 47 (2006): 267-285.
	Traill 2006/a David A. Traill, “More Poems by Philip the Chancellor”, The Journal of Medieval Latin, 16 (2006): 164-181.
	Yri 2006 Kirsten Yri, “Noah Greenberg and the New York Pro Musica: Medievalism and the Cultural Front”, American Music, 24/4 (2006): 421-444. [Jstor]
	Bignell 2007 Jonathan Bignell, “Music and the Politics of Masculinity in Excalibur,” originally in Les aurtres arts dans l’art du cinema (Rennes: University of Rennes Press, 2007), 141-151.
	Goodlad 2007 Lauren M. E. Goodlad, Michael Bibby, Goth: Undead subculture (Durham: Duke University Press 2007). [myLib] \| [NYU] Recensioni
	Müller 2007 Neidhart-Lieder: Texte und Melodien samtlicher Handschriften und Drucke, ed. Ulrich Müller, Ingrid Bennewitz, Franz Viktor Spechtler, 3 vols (Berlin: W. De Gruyter, 2007)
	Ross 2007 Alex Ross, The rest is noise — New York: Picador, 2007. — [It. trans.] Il resto è rumore (Milano: Bompiani 2009). [myLib]
	Stella 2007 Corpus rhythmorum musicum saec. iv-ix. 1: Songs in non-liturgical sources, ed. Francesco Stella (Firenze: Sismel Edizioni del Galluzzo, 2007). (materiali on line)
	Wollin 2007 Carsten Wollin, “Versa est in luctum cythara Waltheri (CB 123): Das Zeugnis des Radulfus de Longo Campo”, Studi Medievali, 48/1 (2007): 307–315.
	Ziolkowski 2007 Jan M. Ziolkowski, Nota bene: readings classics and writing melodies in the Early Middle Ages (Turnhout: Brepols, 2007). [myLib]
	Rillon-Marne 2008 Anne-Zoé Rillon-Marne, Philippe le Chancelier et son œuvre: Etude sur l’elaboration d’une poetique musicale, PhD (Université de Poitiers, 2008).
	Taruskin 2008 Richard Taruskin, “Can we give poor Orff a pass at last?,” in The danger of music and other anti-utopian essays (Berkeley: University of California Press, 2008): 161-167.
	Brunner 2009 Repertorium der Sangsprüche und Meisterlieder des 12. bis 18. Jahrhunderts, ed. Horst Brunner, Burghart Wachinger (Tübingen: M. Niemeyer, 1986-2009) — 1. Einleitung, Überlieferung (1994) 2. Katalog der Töne, ed. Johannes Rettelbach, Christian Naser, Paul Sappler (2009) — 3-5. Katalog der Texte: Älterer Teil, ed. Frieder Schanze, Burghart Wachinger: 3. A-F (1986) \| 4. G-P (1988) \| 5. Q-Z (1991) — 6-13. Katalog der Texte: Jüngerer Teil, ed. Horst Brunner et al.: 6. A-C (1990) \| 7. D-H (1990) \| 8. I-R (1988) \| 9. Hans Sachs 1-1700 (1986) \| 10. Hans Sachs 1701-3400 (1987) \| 11. Hans Sachs 3401-6278 (1987) \| 12. S-V (1989) \| 13. W-Z (1989) — 14-16. Register zum Katalog der Texte, ed. Horst Brunner et al.: 14. Initien (1996) \| 15. Stichwörter (2002) \| 16. Namen, Quellen, Bibelstellen, Datumsangaben (1996) — [digital ed.] online (De Gruyter)
	Hiley 2009 David Hiley, Gregorian chant (Cambridge: University Press, 2009).
	Wollin 2009 Carsten Wollin, “Ein Liebeslied des Petrus Abaelardus in Bloomington (Indiana)”, Revue Bénédictine, 119/1 (2009): 121-163.
2010
	Bisanti 2010 Armando Bisanti, “Cedit, hiems, tua durities (CB 135). Esordio primaverile e inno all’amore”, Mediaeval Sophia, 8 (2010), pp. 60-74.
	Hausmann 2010 Franz-Rutger Hausmann, Das Fach Mittellateinische Philologie an deutschen Universitäten von 1930 bis 1950 (Stuttgart: Hiersemann, 2010).
	Vecce 2010 Carlo Vecce, “La crisi dell’Autore nel Rinascimento”, California Italian Studies, 1/2 (2010): 1-17.
	Yri 2010 Kirsten Yri, “Thomas Binkley and the Studio der Frühen Musik: challenging ‘the myth of Westernness’”, Early Music, 38/2 (May 2010): 273-280.
	Zinelli 2010 Fabio Zinelli, “Il canzoniere Estense e la tradizione veneta della poesia trobadorica: prospettive vecchie e nuove”, Medioevo romanzo, 24 (2010): 82- 130.
	Beltrami 2011 Pietro G. Beltrami, “Lirons-nous encore les troubadours, et comment?” — in L’Occitanie invitée de l’Euregio: Liège 1981, Aix-la-Chapelle 2008: bilan et perspectives, actes du Neuvieme Congrès international de l’Association internationale d’études occitanes, Aix-la-Chapelle, 24-31 août 2008, ed. Angelica Rieger, Domergue Sumien, 2 vols (Aachen : Shaker, 2011), i: 101-120. [It. trans.] “Leggere i trovatori oggi (e domani?)” in Pietro G. Beltrami, Amori cortesi: scritti sui trovatori (Firenze: Sismlel-Galluzzo, 2019): 3-27.
	Bisanti 2011 Armando Bisanti, La poesia d’amore nei Carmina Burana (Napoli: Liguori, 2011).
	Bisanti 2011/a Armando Bisanti, “Huc usque, me miseram! (CB 126): una chanson de femme mediolatina”, Bollettino di studi latini, 1 (2011): 132-144.
	Borghetti 2011 Vincenzo Borghetti, “Purezza e trasgressione. Il suono del Medioevo dagli anni Cinquanta ad oggi”, in Da Carlo Martello al Nome della Rosa. Musica e letteratura in un Medioevo immaginato, ed. Gianni Guastella, Marianna Marrucci, Semicerchio. Rivista di poesia comparata del Cenobio fiorentino, 44/1 (2011): 37-54.
	Di Carpegna 2011 Tommaso Di Carpegna Falconieri, Medioevo militante: La politica di oggi alle prese con barbari e crociati (Torino: Einaudi, 2011).
	Evenden 2011 Elizabeth Evenden, Thomas S. Freeman, Religion and the book in early modern England: The making of John Foxe’s ‘Book of Martyrs’ (Cambridge: University press, 2011).
	Harris 2011 Max Harris, Sacred Folly: A New History of the Feast of Fools (Ithaca ny: Cornell University Press, 2011).
	Invernizzi 2011 Simone Invernizzi, Le glosse alla ‘Tebaide’ attribuibili a Ilario d’Orléans: Libri VII-XII, PhD (Università degli Studi di Milano, 2011).
	Payne 2011 Philip the Chancellor: Motets and Prosulas, ed. Thomas B. Payne, Madison wi: A-R Editions, 2011. pp. i-xxxvii (Introduction), pp. 219-221 (Bibligraphy)
	Schilling 2011 Erik Schilling, “Spielerhelden, Heldenspieler und ein Christus-Epikur. Wechselseitige Bezugnahmen von lateinischen und deutschen Strophen in den ‘Carmina Burana’ am Beispiel von CB 203 und CB 211”, Euphorion. Zeitschrift für Literaturgeschichte, 105 (2011): 235-250.
	Bridges 2012 Venetia Bridges, “Goliardic poetry and the problem of historical perspective: Medieval adaptation of Walter of Chatillon’s quotation poems”, Medium Aevum, 81/2 (2012): 249-270.
	Formisano 2012/a Luciano Formisano, La lirica romanza nel Medioevo (Bologna: Il mulino, 2012).
	Galvez 2012 Marisa Galvez, Songbook: how lyrics became poetry in medieval Europe (Chicago : The University of Chicago Press, 2012). [myLib]
	Hicks 2012 Andrew James Hicks, Music, Myth, and Metaphysics: Harmony in Twelfth-Century Cosmology and Natural Philosophy (University of Toronto 2012). [online]
	Maurzi 2012 Marco Maurizi, “Teriofobia”, Asinus novus, 1/4 (2012), on line
	Montenz 2012 Nicola Montenz, L’armonia delle tenebre: Musica e politica nella Germania nazista (Milano: Archinto, 2012). [myLib]
	Rillon-Marne 2012 Anne-Zoé Rillon-Marne, Homo considera: La pastorale lyrique de Philippe le Chancelier: Une étude des conduits monodiques (Turnhout: Brepols, 2012).
	Rillon-Marne 2012/a Anne-Zoé Rillon-Marne, ”Musique et poésie. Dans les conduits dialogués de Philippe le Chancelier”, in Formes dialoguées dans la littérature exemplaire du Moyen Age, ed. Marie-Anne Polo de Beaulieu, Lucy Corbett (Paris, H. Champion 2012): 329-355, 494.
	Stella 2012 Francesco Stella, “Pasolini e l’antico: I Carmina Burana”, Semicerchio: Rivista di poesia comparata, 47/2 (2012): 18-22.
	Bein 2013 Walther von der Vogelweide, Leich, Lieder, Sangsprüche [15th revised edition of Lachmann 1827], ed. Thomas Bein (Berlin: De Gruyter, 2013).
	K. Ellis 2013 Katherine Ellis, The politics of plainchant in fin-the-siècle France (Farnham, Burlington: Ashgate, 2013).
	Traill 2013 Walter of Châtillon: The shorter poems: Christmas hymns, love lyrics, and moral-satirical verse, ed. David A. Traill — Oxford: Clarendon Press, 2013. — [dig. ed.] ibidem 2019 \| introd. \| sigla \| biblio
	Giuliano 2014 Livio Giuliano, “Far cantare il medioevo: tra accademici e trotskisti”, Trans: Revista transcultural de música, 18 (2014), on line
	Heikkinen 2014 Seppo Heikkinen, “The resurrection and afterline of an archaic metre: Bede, the Carolingians and the trochaic septenarius”, Classica et mediaevalia, 65 (2014): 241-282.
	Hope 2014 Henry Hope, Constructing Minnesang musically (PhD, Oxford: Merton College, 2014).
	Long 2014 Micol Long, Autografia ed epistolografia tra Xi e XIII secolo (Torino: Ledizioni, 2014).
	Bobeth 2015 Gundela Bobeth, Wine, women, and song? Reconsidering the Carmina Burana, in Deeming-Leach 2015: 79-115.
	Daolmi 2015 Davide Daolmi, Trovatore amante spia (Lucca: Lim, 2015).
	Deeming-Leach 2015 Manuscripts and Medieval song: Inscription, performance, context, ed. Helen Deeming, Elizabeth Eva Leach (Cambridge: University Press, 2015).
	Godman 2015 Peter Godman, “Rethinking the Carmina Burana (I): The Medieval Context and Modern Reception of the Codex Buranus”, Journal of Medieval and Early Modern Studies, 45/2 (2015): 245–286.
	Lo 2015 Kii-Ming Lo, “Sehen, Hören und Begreifen: Jean-Pierre Ponnelles Verfilmung der Carmina Burana von Carl Orff”, in Text, Musik, Szene: Das Musiktheater von Carl Orff, ed. Thomas Rösch (Mainz: Schott, 2015): 147-173.
	Peron 2015 Gianfelice Peron, “Guillem Figueira: D’un sirventes far”, Rialto (6.xii.2015) \| (trad. bibl. e metrica)
	Petrone 2015 Fior da fiore dai Carmina Burana: Morali e di protesta, d’amore e spirituali, di donne e d’osteria: 40 canti dei clerici vagantes medievali tradotti nella lingua del nostro tempo con testo latino a fronte, ed. Petronio Petrone (Milano: Mimesis, 2015). [myLib]
	Tuzzo 2015 Sabina Tuzzo, La poesia dei clerici vagantes: Studi sui Carmina Burana (Cesena: Stilgraf, 2015).
	Daolmi 2016 Davide Daolmi, “Raccogliere liriche, inventare poeti. L’identità immaginaria dei primi trovieri”, in Saviotti 2016: 125-125.
	De Hamel 2016 Christopher de Hamel, Meetings with remarkable manuscripts — London: Allen Lane, 2016 \| (pp. 330-375: Carmina Burana) — [It. trans.] Storia di dodici manoscritti (Milano: Mondadori, 2017).
	Godman 2016 Peter Godman, “Re-thinking the Carmina Burana II: The Child, the Jew, and the Drama”, Viator, 47/1 (2016): 107-122.
	Saviotti 2016 L’espressione dell’identità nella lirica romanza medievale, ed. Federico Saviotti, Giuseppe Mascherpa (Pavia: University press, 2016).
	Bader 2017 Springer Handbook of Systematic Musicology, ed. Rolf Bader (Berlin: Springer Verlag, 2018).
	Chiesa 2017 Paolo Chiesa, La letteratura latina del medioevo: Un profilo storico (Rooma: Carocci, 2017). [myLib]
	Lannutti 2017 D’Arco Silvio Avalle: Le forme del canto: La poesia nella scuola tardoantica e altomedievale, ed. Maria Sofia Lannutti (Firenze: Edizioni del Galluzzo per la Fondazione Ezio Franceschini, 2017). [myLib]
	Nguyen 2017 Tram Nguyen, Aaron Gibbings, Jessica A. Grahn, “Rhythm and beat perception”, in Bader 2017: 507-521.
	Persico 2017/a Thomas Persico, “Il concetto agostiniano di modulatio nel De vulgari eloquentia”, in Sulle tracce del Dante minore. Prospettive di ricerca per lo studio delle fonti dantesche, ed. Th. Persico, Riccardo Viel (Bergamo. Sestante, 2017): 83-110.
	Wetherbee 2017 Winthrop Wetherbee, “The Metamorphosis Goliae Episcopi: A Revised Edition,Translation, and Notes”, The Journal of Medieval Latin, 27 (2017): 41-67.
	Daolmi 2018 Davide Daolmi, “Struttura del Codex Buranus”, in Carmina Burana: Ricerche sulla musica, on line, 2018.
	Everist 2018 Mark Everist, Discovering medieval song: Latin poetry and music in the Conductus (Cambridge: University press, 2018).
	Floramo 2018 Angelo Floramo, Storie segrete della storia del Friuli: Personaggi curiosi, fatti straordinari, eventi memorabili di una regione incantata (Roma: Newton Compton, 2018).
	Mercenaro 2018 Simone Marcenaro, “La Nota Emilianense e il neotradizionalismo”, Zeitschrift für romanische Philologie, 134/3 (2018): 899-915.
	Traill 2018 David A. Traill, “The Codex Buranus: Where was it written? Who commissioned it, and why?”, Mittellateinisches Jahrbuch: internationale Zeitschrift für Mediävistik, 53/3 (2018): 356-368.
	Traill 2018/a David A. Traill, “Philip the Chancellor and Richard the Lionheart”, The Journal of Medieval Latin, 28 (2018): 1-13.
	Traill 2018/b Carmina burana, ed. David A. Traill [+ Engl. trans.], 2 vols (Cambridge: Harvard University Press, 2018). [myLib]
	Yri 2018 Kirsten Yri, “Lebensreform and Wandervogel Ideals in Carl Orff’s Carmina Burana”, The Musical Quarterly, 100/3-4 (2017): 399-428. [Jstor]
	Bernardinello 2019 Gualtiero di Châtillon, Alessandreide, ed. Lorenzo Bernardinello (Pisa: Pacini, 2019).
	Bisanti 2019 Armando Bisanti, ’Res utrique placuit’ (CB 72, str. 5a, 1): Il desiderio d’amore e la sua realizzazione nei ‘Carmina Burana’ (Palermo: Officina di Studi Medievali, 2019). [myDL]
	Bodei 2019 Remo Bodei, Dominio e sottomissione: Schiavi, animali, macchine, intelligenza artificiale (Bologna: Il mulino, 2019). [myLib]
	Cardelle 2019 Carmen Cardelle de Hartman, “Poeta doctus / poeta doctor: Didaxe und Eros in CB 88”, in Prodesse et delectare: Case studies on didactic literature in the european Middle Ages, ed. Norbert Kössinger, Claudia Wittig (Berlin: De Gruyter, 2019): 306-335.
	Daolmi 2019 Davide Daolmi, Storia della musica. Dalle origini al Seicento (Firenze: Le Monnier, 2019).
	Daolmi 2019/a Davide Daolmi, “Identità della monodia medievale. Metro e ritmo fra laudi italiane e lirica cortese”, Il saggiatore musicale, 26/2 (2019), pp. 159-189
	Daolmi 2019/b Davide Daolmi, “L’ineluttabile devozione: Editoria musicale e lauda francescana”, in Francesco d’Assisi: Storia, arte, mito, ed. M. Benedetti, T. Subini (Roma: Carocci): 161-172.
	Scharler 2019 Thomas Scharler, Mittelalterliche Liedersammlung. Carmina Burana (Norderstedt: Books on Demand, 2019). [kindle]
	Upton 2019 Elizabeth Randell Upton, “Bob Dylan’s ballade”, Postmedieval, 10 (2019): 452–465.
	Yri 2019 Kirsten Yri, “Corvus Corax: medieval rock, the minstrel, and cosmopolitanism as anti-nationalism”, Popular Music, 38/3 (2019): 361-378.
2020
	Cazaux 2020 Christelle Cazaux, Anne-Zoé Rillon-Marne, “Carmina Burana versus Notre-Dame: à propos de la tradition manuscrite de quelques conduits”, Textus & Musica, 2 (2020), online \| (pdf)
	Cerullo 2020 Gualtiero di Châtillon: Poesie d’amore e d’invettiva, ed. Speranza Cerullo (Alessandria: Edizioni dell’Orso, 2020). [myLib]
	Clem 2020 David Clem, “Hope against Fate or Fata Morgana? Music and mithopoiesis in Boorman’s Excalibur”, in Meyer-Yri 2020: 662-689.
	Daolmi 2020/a Davide Daolmi, “Quan vei vs Quisquis cordis. The contrafactum as a bridge between linguistic boundaries”, in Kontrafakturen im Kontext, ed. Agnese Pavanello (Basel: Schwabe Verlag, 2020): 53-78.
	Daolmi 2020/b Davide Daolmi, “La notazione del Codex Buranus”, in Carmina Burana: Ricerche sulla musica, on line, 2020.
	Doležalová 2020 Lucie Doležalová, “Pains and Pleasures of Interpreting and Appropriating Obscurity: The Versus maligni angeli in the Twelfth to Fifteenth Centuries”, AUC Philologica, 2 (2020): 109-156.
	Franklinos 2020 Revisiting the Codex Buranus: contents, contexts, compositions, ed. Tristan E. Franklinos, Henry Hope (Woodbridge: The Boydell Press, 2020). [myDL]
	Godman 2020 Peter Godman, “Rethinking the Carmina Burana III: The Poetry of Peasants”, in Franklinos 2020: 171-204.
	Hope 2020 Henry Hope, “Compilation, Contrafacture, Composition: Revisiting the German Texts of the Codex Buranus”, in Franklinos 2020: 351-392.
	Lammers 2020 Heike Sigrid Lammers-Harlander, “Revisiting the Music of the Codex Buranus”, in Franklinos-Hope 2020: 251-282.
	Meyer-Yri 2020 The Oxford handbook of music and medievalism, ed. Stephen C. Meyer, Kirsten Yri (Oxford: University press, 2020). [Unimi]
	Trafford 2020 Simon Trafford, “Viking metal”, in Meyer-Yri 2020: 564-585.
	Troyer 2020 Scott C. Troyer, “Medievalism and identity construction in pagan folk music”, in Meyer-Yri 2020: 586-608.
	Yri 2020 Kirsten Yri, “Medievalism and antiromanticism in Carl Orff’s Carmina Burana”, in Meyer-Yri 2020: 269-300.
	Brusa 2022 Gionata Brusa, “I frammenti liturgico-musicali medievali nell’abbazia agostiniana di Novacella”, in La ricerca sulle fonti musicali in Trentino-Alto Adige, ed. Giulia Gabrielli (Lucca: Lim, 2022). [myDL]
	Daolmi 2023 Davide Daolmi, “The Codex Buranus, or The First Chansonnier”, in The Media of Secular Music in the Medieval and Early Modern Period (1110-1650), ed. Vincenzo Borghetti and Alexandros Maria Hatzikiriakos (London: Routledge, 2023).

La musica dei Carmina Burana

— 15 vols [to 12th c.] (Paris 1733-1824) — [repr.] vols 1-16 (Paris 1865-1892) — 16-23: [13th c.] (Paris 1832-1856) — 24-43 [14th c.] (Paris 1862-2005) — Index vols 1-15 (Paris 1875) — Index vols 16-41 (Paris 2008)

— Greifswald: Augustin Ferber, 1582. — [repr.] Helsinki: Fazer, 1967.

| | Lauingae: Leonhardus Rheinmichel, 1600 | (alter) — [repr.] Lauingae: Iacobus Winter, 1608. [2nd ed.] Francofurti ad Moenum: H. Gros, 1671-1672.

Noribergae: typis Abrahami Wagenmanni, 1612 | (alter) — Breslae: haeredes Eyringii & Perfectum, 1617. [Engl. trans. (only ‘Angliae’)] Travels in Egland (London: Jeffery, 1979).

1 | 2 | 3 | 4 | 5 | 6 | Parisiis: apud Franciscum Noël, [poi] apud P. De Bresche et J. De Laize-De-Bresche, 1665-1673. — [repr.] Frankfurt a. M.: Minerva, 1966.

— editions: in Trovatore amante spia, pp. 224 — [1st ed.] 1 | 2 | 3 modern digital edition

— I serie: 25 vols (Mediolani 1723-1751). — II serie: 34 vols (Città di Castello 1900-1917; Bologna 1917-1975) — III serie: 10 vols (Roma 1999-2012)

Il I vol. raccoglie 6 fascicoli con numerazione che ricomincia: (i) | (ii) | (iii) | (iv) | (v) | (vi)

Heidelberg: Akademische Verlagsbuchhandlung von C. F. Winter, 1841 | alter — [repr.] Osnabruck : Otto Zeller Verlag, 1965.

London: Camden Society, 1841. — [repr.] Hildesheim: Olms, 1968.

Paris: Brockhaus et Avenarius, 1843. — [rist.] Bologna: Forni, stampa 1969.

— [repr.] in Jacob Grimm, Kleinere Schriften, ed. Gustav Hinrichs, 8 vols (Berlin: Dümmler; poi Gütersloh: Bertelsmann 1864-1890), ii (1865).

Paris: Firmin Didot, 1847. — [rist.] Geneve: Slatkine, 1977.

Paris: Vve Poussielgue-Rusand, 1851. — Bruxelles : C.-J.-A. Greuse, 1851 | 21867 | 31872.

— i (1-73), 1844-1849. — ii (74-217), 1849-1855. — indexes (218-221), 1862-1866. links by patristica.net | links by Rod Letchford | links by DCO | links by Francis Turretin

Paris: Imprimerie Nationale, 1877. [repr.] in Notices, 27 (1879): 1-86.

— London: Longman & Co., 1861-91 (Rerum Britannicarum Medii aevi scriptores, 21) | 1 | 4 | 8 — [repr.] Millwood: Kraus reprint, 1964-1966.

Torino: Roux, 1892 — [repr.] ed. Francesco Picco (Milano: Mondadori, 1928). [myLib]

Nachrichten von der königliche Gesellschaft der Wissenschaften zu Göttingen: Philologisch-historische Klasse, 5/2 (1898): 113-145. [repr.] W. Meyer 1905: ii, 303-341.

Leipzig: Breitkopf & Härtel, 1903. — [repr.] Vaduz: Sandig Reprint, 1985.

pp. 75-111 (nn. 16-22) | 112-175 (nn. 1-9, 11-15, 23) | pp. 231-234 (n. 10).

— Modern philology, 5 (1907-1908): 423-456 (i: 1-54) | 6 (1908-1909): 3-43 (ii: 55-95) | 137-180 (iii: 97-140) | 385-406 (iv: 141-162).

Paris: Champion, 1911. — [repr.] Geneve: Slatkine reprints, 1974

— Berlin: M. Hesse, 1924. — Tutzing: H. Schneider, 1966

— Cambridge: University Press, 1927. — [It. trans.] Il Rinascimento del xii secolo (Roma: Castelvecchi, 2015).

— Berlin: Bondi, 1927. — [It. trans.] Federico II imperatore (Milano: Garzanti 1988, 2/2017). [myLib]

— 1. Die Lieder Walters von Chatillon in der Handschrift 351 von St. Omer (Berlin: Weidmann, 1925). — [2.] Moralisch-satirische Gedichte Walters von Chatillon: Aus deutschen, englischen, franzosischen und italienischen Handschriften (Heidelberg: C. Winter, 1929).

— Barcelona: Institut d’estudis catalans, 1931 | 1. Introducció | 2. Facsímil | 3. Transcripció — [repr.] New York: AMS Press, 1977

— Düsseldorf: Pädag. Verl., 1932. — Berlin: Dietrich Reimer, Ernst Vohsen, 1933 — [Engl. trans.] New York, Norton, 1937. — [It. trans.] Storia della danza Milano (Milano: Il Saggiatore, 1966, 2/1980, 3/1985, 4/1994, 5/2015). [myLib]

Barcelona: Institut d’estudis catalans, Biblioteca de Catalunya, 1935. — [repr.] Barcelona: Universitat Autònoma de Barcelona, 1988.

— Paris: Denoël et Steele, 1935. — [It. trans.] Milano: Minuziano, 1947. — [repr.] Milano: Feltrinelli, 1979. [myLib]

— Völkischer Beobachter, 167 (16.vi.1937): 5. — in Franz Willnauer, Carmina Burana von Carl Orff, 2nd ed. (Mainz: Schott, 2007): 294-296. — [trad. It.] in Fassone 1995 (2009): 311-313.

— München: F. Bruckmann, 1944. — [partial repr.] Bühnenbilder: 96 mehrfarbige und einfarbige Wiedergaben aus dem vergriffenen Werk “Lebendiges Theater” (München: F. Bruckmann, 1947).

— Berkeley: University of California press, 1946, 2/1958. — [Fr. trans.] Paris: Fayard, 2004. — [It. trans.] Milano: Medusa, 2006. [myLib]

— Milano: Bianchi-Giovini, 1946. — Torino: Einaudi, 1963.

— Tubingen: J.C.B. Mohr (Paul Siebeck), 1949. — [It. trans.] Filosofia della musica moderna, Torino: Einaudi, 1959. [myLib]

— in Prismen: Kulturkritik und Gesellschaft (Berlin: Suhrkamp, 1955). — [It. tans.] in Primi (Torino: Einaudi, 1976).

— Berlin: Suhrkamp, 1951. — [It. trans.] La musica moderna (Torino: Einaudi, 1960).

— 2 vols, Firenze: Fussi, 1949-1952. [myLib] — [repr.] Firenze: Sansoni 1991

— Harmondsworth: Penguin books, 1953. — [It. trans.] Milano : Longanesi, 1955.

— in Dissonanzen: Musik in der verwalteten Welt (Göttingen: Vandenhoeck & Ruprecht, 1956): 67-107. — [It. trans.] Dissonanze, ed. Giacomo Manzoni (Milano: Feltrinelli 1959): 77-128.

— Bloomington in: Indiana University Press, 1958, [repr.] 1990. — [It. trans.] Lucca: Libreria musicale italiana, 1998. [myLib]

— Stockholm: Almqvist & Wiksell, 1958 [Engl. trans.] An introduction to the study of medieval latin versification [intr. by Jan Ziolkowski] (Washington, The Catholic Univ. of America Press, 2004) [myLib]

— New York: Doubleday & Company; London: Faber & Faber, 1959. — Igor Stravinsky, Robert Craft: Colloqui con Stravinsky (Torino: Einaudi, 1977). [myLib]

PhD (Cornell University, 1960). — Ann Arbor: UMI, 1986.

— Saggi e ricerche in memoria di Ettore Li Gotti, 3 vols | Bollettino: Centro di studi filologici e linguistici siciliani, 6-8 (1962), i: 119-160. — [repr.] in Lannutti 2017: 241-290.

— Milano-Napoli: Ricciardi, 1963. — [repr.] in Lannutti 2017.

— 15 vols [to 12th c.] (Paris 1733-1824) — [repr.] vols 1-16 (Paris 1865-1892)

— 16-23: [13th c.] (Paris 1832-1856) — 24-43 [14th c.] (Paris 1862-2005)

— Index vols 1-15 (Paris 1875) — Index vols 16-41 (Paris 2008)

— Greifswald: Augustin Ferber, 1582.

— [repr.] Helsinki: Fazer, 1967.

| | Lauingae: Leonhardus Rheinmichel, 1600 | (alter)

— [repr.] Lauingae: Iacobus Winter, 1608.

[2nd ed.] Francofurti ad Moenum: H. Gros, 1671-1672.

Noribergae: typis Abrahami Wagenmanni, 1612 | (alter)

— Breslae: haeredes Eyringii & Perfectum, 1617.

[Engl. trans. (only ‘Angliae’)] Travels in Egland (London: Jeffery, 1979).

1 | 2 | 3 | 4 | 5 | 6 | Parisiis: apud Franciscum Noël, [poi] apud P. De Bresche et J. De Laize-De-Bresche, 1665-1673.

— [repr.] Frankfurt a. M.: Minerva, 1966.

— editions: in Trovatore amante spia, pp. 224

— [1st ed.] 1 | 2 | 3

modern digital edition

— I serie: 25 vols (Mediolani 1723-1751).

— II serie: 34 vols (Città di Castello 1900-1917; Bologna 1917-1975)

— III serie: 10 vols (Roma 1999-2012)

Heidelberg: Akademische Verlagsbuchhandlung von C. F. Winter, 1841 | alter

— [repr.] Osnabruck : Otto Zeller Verlag, 1965.

London: Camden Society, 1841.

— [repr.] Hildesheim: Olms, 1968.

Paris: Brockhaus et Avenarius, 1843.

— [rist.] Bologna: Forni, stampa 1969.

Paris: Firmin Didot, 1847.

— [rist.] Geneve: Slatkine, 1977.

Paris: Vve Poussielgue-Rusand, 1851.

— Bruxelles : C.-J.-A. Greuse, 1851 | ²1867 | ³1872.

— i (1-73), 1844-1849.

— ii (74-217), 1849-1855.

— indexes (218-221), 1862-1866.

links by patristica.net | links by Rod Letchford | links by DCO | links by Francis Turretin

Paris: Imprimerie Nationale, 1877.

[repr.] in Notices, 27 (1879): 1-86.

— London: Longman & Co., 1861-91 (Rerum Britannicarum Medii aevi scriptores, 21) | 1 | 4 | 8

— [repr.] Millwood: Kraus reprint, 1964-1966.

Torino: Roux, 1892

— [repr.] ed. Francesco Picco (Milano: Mondadori, 1928). [myLib]

Nachrichten von der königliche Gesellschaft der Wissenschaften zu Göttingen: Philologisch-historische Klasse, 5/2 (1898): 113-145.

[repr.] W. Meyer 1905: ii, 303-341.

Leipzig: Breitkopf & Härtel, 1903.

— [repr.] Vaduz: Sandig Reprint, 1985.

Paris: Champion, 1911.

— [repr.] Geneve: Slatkine reprints, 1974

— Berlin: M. Hesse, 1924.

— Tutzing: H. Schneider, 1966

— Cambridge: University Press, 1927.

— [It. trans.] Il Rinascimento del xii secolo (Roma: Castelvecchi, 2015).

— Berlin: Bondi, 1927.

— [It. trans.] Federico II imperatore (Milano: Garzanti 1988, 2/2017). [myLib]

— 1. Die Lieder Walters von Chatillon in der Handschrift 351 von St. Omer (Berlin: Weidmann, 1925).

— [2.] Moralisch-satirische Gedichte Walters von Chatillon: Aus deutschen, englischen, franzosischen und italienischen Handschriften (Heidelberg: C. Winter, 1929).

— Barcelona: Institut d’estudis catalans, 1931 | 1. Introducció | 2. Facsímil | 3. Transcripció

— [repr.] New York: AMS Press, 1977

— Düsseldorf: Pädag. Verl., 1932.

— Berlin: Dietrich Reimer, Ernst Vohsen, 1933

— [Engl. trans.] New York, Norton, 1937.

— [It. trans.] Storia della danza Milano (Milano: Il Saggiatore, 1966, 2/1980, 3/1985, 4/1994, 5/2015). [myLib]

Barcelona: Institut d’estudis catalans, Biblioteca de Catalunya, 1935.

— [repr.] Barcelona: Universitat Autònoma de Barcelona, 1988.

— Paris: Denoël et Steele, 1935.

— [It. trans.] Milano: Minuziano, 1947.

— [repr.] Milano: Feltrinelli, 1979. [myLib]

— Völkischer Beobachter, 167 (16.vi.1937): 5.

— in Franz Willnauer, Carmina Burana von Carl Orff, 2nd ed. (Mainz: Schott, 2007): 294-296.

— [trad. It.] in Fassone 1995 (2009): 311-313.

— München: F. Bruckmann, 1944.

— [partial repr.] Bühnenbilder: 96 mehrfarbige und einfarbige Wiedergaben aus dem vergriffenen Werk “Lebendiges Theater” (München: F. Bruckmann, 1947).

— Berkeley: University of California press, 1946, 2/1958.

— [Fr. trans.] Paris: Fayard, 2004.

— [It. trans.] Milano: Medusa, 2006. [myLib]

— Milano: Bianchi-Giovini, 1946.

— Torino: Einaudi, 1963.

— Tubingen: J.C.B. Mohr (Paul Siebeck), 1949.

— [It. trans.] Filosofia della musica moderna, Torino: Einaudi, 1959. [myLib]

— in Prismen: Kulturkritik und Gesellschaft (Berlin: Suhrkamp, 1955).

— [It. tans.] in Primi (Torino: Einaudi, 1976).

— Berlin: Suhrkamp, 1951.

— [It. trans.] La musica moderna (Torino: Einaudi, 1960).

— 2 vols, Firenze: Fussi, 1949-1952. [myLib]

— [repr.] Firenze: Sansoni 1991

— Harmondsworth: Penguin books, 1953.

— [It. trans.] Milano : Longanesi, 1955.

— in Dissonanzen: Musik in der verwalteten Welt (Göttingen: Vandenhoeck & Ruprecht, 1956): 67-107.

— [It. trans.] Dissonanze, ed. Giacomo Manzoni (Milano: Feltrinelli 1959): 77-128.

— Bloomington in: Indiana University Press, 1958, [repr.] 1990.

— [It. trans.] Lucca: Libreria musicale italiana, 1998. [myLib]

— Stockholm: Almqvist & Wiksell, 1958

[Engl. trans.] An introduction to the study of medieval latin versification [intr. by Jan Ziolkowski] (Washington, The Catholic Univ. of America Press, 2004) [myLib]

— New York: Doubleday & Company; London: Faber & Faber, 1959.

— Igor Stravinsky, Robert Craft: Colloqui con Stravinsky (Torino: Einaudi, 1977). [myLib]

PhD (Cornell University, 1960).

— Ann Arbor: UMI, 1986.

— Saggi e ricerche in memoria di Ettore Li Gotti, 3 vols | Bollettino: Centro di studi filologici e linguistici siciliani, 6-8 (1962), i: 119-160.

— [repr.] in Lannutti 2017: 241-290.

— Milano-Napoli: Ricciardi, 1963.

— [repr.] in Lannutti 2017.